少女传承:日本动画少女作品的社会性别意义

日本少女文学塑造的少女同性爱形象,为当代日本动画文化重要的艺术形象之一。《魔法少女小圆》为近年一部优秀的日本少女同性爱动画,该作品继承了日本少女文学的社会批判精神,感染力强,在日本国内获得广泛好评。日本动画全球普及,是该国文化软实力之一,我国发展文化软实力,日本的动画产品值得借鉴。我们在论证文化软实力建设的时候,除了技术角度考虑,也须考虑文化产品的社会批判意义及审美价值

Study on The Aborescent History of Female Existence

在历史的长河中，女性在多数时间中受到父权社会的压迫，这是当代女性主义妇女史学界的共识，也是无容置疑的事实，也成为女性主义研究女性问题或性别问题的主要背景和基调。 为此，“女性受压”成为了妇女史史学炙手可热的论题，这个论题不但常见于妇女史史学著作之中，也见于多个女性主义经典著作之中，比如波娃的《第二性》、亚隆的《乳房的历史》、肖瓦尔特的《她们自己的文学》等等。这一类的著作，可以归类为“压迫史”。 然而，美国妇女史学者凯利-加多尔曾经提出，妇女史目的有二：“把妇女还给历史，以及把历史还给妇女”。这就带来一个问题：把历史中的女性当事人写成一直受压，是否就能做到“把历史还给妇女”呢？ 格尔达．勒...That women were under oppression in patriarchal societies most of the time in the history is a consensus of historians working on Women’s History. This is an undeniable fact that sets the scene and the keynote for the study of women’s problems and gender problems in Feminism. For this reason, “Women under oppression” becomes an everlasting hot topic in the study of Women’s History. This top...学位：文学博士院系专业：人文学院_文艺学学号：1022010015454

Understanding “Women” Problem：Breaking through the Bottleneck of the Feminist Movement

彭卓锋，香港理工大学讲师，主要从事日本少女文艺、新媒体艺术、美学理论等研究。【中文摘要】女性主义运动由18世纪末至今，经历三个主要浪潮。前两个浪潮，女性主义者先驱努力争取男女平权，在困难中取得成绩，在世界多国争取到女性投票权、女性教育权、家庭财产权等。但在第二次浪潮末期后，却遇到一些瓶颈，保守主义、自由主义和激进女性主义者间争论连连，不同国家、不同种族、不同性向和不同社会阶层的女性主义组织行动与诉求难于一致。本文以为这是第二波女性主义运动理论上的不足使然，本质论观点令任何“女人”定义都注定具有排斥性，无可避免地把某些它要代表的“女性”边缘化。本文发现，巴特勒提出的性别戏仿策略似乎突破了这一瓶颈，但实践效果不明，然而日本少女文艺的性 别实践，可能还更接近巴特勒描绘的理想。 【Abstract】It is generally agreed that the Feminist Movement started at the end of 18th century underwent three waves.In the first two waves, pioneering feminists fought hard for equal rights between women and men and achieved certain successes.However,when it comes to the end of the second wave, the Movement found itself stuck by a bottleneck. Conservative, liberal and radical feminists were embroiled into endless debates, and the mainstream women right organizations found themselves unable to unite women from different races, women with different sexuality and women from different classes.This paper points out that the problem is the result of the inadequacy inherent in the feminist conceptions employed by the second wave feminists.Any essentialist conception of “women” unavoidably marginalizes certain “women” that the term is meant to represent. Butler's parody strategy is one that may in theory breakthrough the bottleneck, but the outcome in actions is still unclear. On the other hand, the gender practice found in the Japanese Shōjo Literature and Arts may be even closer to the utopia envisioned by Butler than her own strategy