1,504 research outputs found

    Impacts of power sector reforms on rural electrification in the Philippines : a thesis presented in partial fulfilment of the requirements for the degree of Master of Philosophy in Development Studies at Massey University, Palmerston North, New Zealand

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    Inspired by neo-liberal principles, waves of electricity industry reforms have swept the world over the last two decades. To a great extent, the traditional government-extended electrification service was transferred to the hands of private actors and market forces. While these reforms are expected to bring about efficiency gains as a result of market liberalization and private competition, the provision of electrification service to relatively poorer rural areas is less certain. In this light, it is of great interest in development studies to therefore understand the impacts of these reforms on the delivery of public service goals in cash-strapped developing countries like the Philippines. Through assessments of relevant Philippine government data and case study findings, this thesis outlines how the restructured Philippine electricity industry has impacted on the accessibility, service quality and affordability of electrification, especially in rural areas. In a nutshell, electricity industry restructuring in the Philippines resulted in better delivery of public service goals to the rural beneficiaries, but not necessarily resulting from privatization, competition and deregulation that is fostered by a free market regime

    If this heart had a mouth: A forbidden romance narrated through mimesis: Poems

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    If This Heart Had a Mouth consists of forty-two poems where love is the catalyst for a multitude of emotions, ranging from falling in love, to hopelessness, to a begrudging kind of acceptance at losing the beloved to somebody else. To create all forty-two poems, 23 written in Spanish, and 19 poems written in English, I employed the literary device called Mimesis which entails deriving an original poem from someone else\u27s work. To create each poem, I followed another poet’s original work, line by line. I imitated that poet’s rhythm through their use of meter. I counted the number of syllables in each line so that I could then accommodate my own lines. Throughout this creative process, however, the most important decision dealt with choosing the appropriate poet, and the appropriate poem for the sentiment I was trying to convey. This poetry collection is written from two different female perspectives involved in a love triangle. One of the voices in the poems belongs to the mistress, and the other voice emerges from the disloyal man’s wife. Throughout the poems, each woman speaks in her own native language, Spanish for the mistress, and English for the wife. This choice led me on a wild hunt for their voices in various poetry anthologies and websites. To clarify, though, the mistress dominates both languages. I decided that her voice should open and close this poetry collection with “If This Heart had a Mouth”, and “I Have Been Conversant with This Heart”, respectively

    Dance in the Diaspora: Kristin Jackson’s Life of Dance and the Migrant Body

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    This article is an account of Filipina-American choreographer Kristin Jackson’s dance history and selected repertoire. Jackson is one of the few Filipina dance artists based in the US who articulates her bi-cultural identity, and has created and performed a sustained body of works in both America and the Philippines, but whose aesthetics and history have yet to receive attention in dance studies and scholarship. I bring to the fore Jackson’s history and dance education in the light of being a migrant body from the Philippine postcolony, framing her dance career as migratory in nature, therefore embodying the liminal, ambulant diasporic experience, articulated in light of cultural research by Marie Alonzo-Snyder, Martin Manalansan and Fenella Cannel. I then locate Jackson in the general context of women’s autobiography in dance which coincided with a general trend in this thematic mode in American dance of that time, using Ann Cooper Albright’s research. I cull important snippets from various reviews of her choreography to give a general overview of the quality of her movement and choreographic aesthetic and impact. This essay further articulates aspects of her dance and cultural history together with her movement quality characterized by their multicultural roots. I argue that the diasporic Filipino self emerges and distinctly finds its mark in her body of work
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