2,030 research outputs found

    An Origin of the Huge Far-Infrared Luminosity of Starburst Mergers

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    Recently Taniguchi and Ohyama found that the higher 12^{12}CO to 13^{13}CO integrated intensity ratios at a transition JJ=1--0, R=I(12R = I(^{12}CO)/I(13/I(^{13}CO) 20\gtrsim 20, in a sample of starburst merging galaxies such as Arp 220 are mainly attributed to the depression of 13^{13}CO emission with respect to 12^{12}CO. Investigating the same sample of galaxies analyzed by Taniguchi & Ohyama, we find that there is a tight, almost linear correlation between the dust mass and 13^{13}CO luminosity. This implies that dust grains are also depressed in the high-RR starburst mergers, leading to the higher dust temperature (TdT_{\rm d}) in them because of the relative increase in the radiation density. Nevertheless, the average dust mass (MdM_{\rm d}) of the high-RR starburst mergers is higher significantly than that of non-high RR galaxies. This is naturally understood because the galaxy mergers could accumulate a lot of dust grains from their progenitor galaxies together with supply of dust grains formed newly in the star forming regions. Since LL(FIR) MdTd5\propto M_{\rm d} T_{\rm d}^5 given the dust emissivity law, Sνλ1S_\nu \propto \lambda^{-1}, the increases in both MdM_{\rm d} and TdT_{\rm d} explain well why the starburst mergers are so bright in the FIR. We discuss that the superwind activity plays an important role in destroying dust grains as well as dense gas clouds in the central region of mergers.Comment: 10 pages (aaspp4.sty), 3 postscript figures (embedded). Accepted for publication in Astrophysical Journal Letter

    CO observations of southern mergers

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    There are good reasons to believe that the formation of some elliptical galaxies result from the merging of two disk galaxies, as Toomre and Toomre first suggested (1972, Ap. J. 178, 623). Such a process strongly enhances the star-formation activity of the system, thus consuming its molecular gas. This might account for the low cold-gas content of elliptical galaxies compared to that of spirals. Researchers present here CO(1-0) and CO(2-1) observations of a sequence of three objects, NGC 1614, NGC 3256, and NGC 7252, that present characteristic features of merger remnants: single body and extended tidal tails. NGC 3256 and 7252 even exhibit the r(exp 1/4) radial light distribution that is the signature of elliptical galaxies, which indicates that their stellar bodies are in late stages of relaxation. Both NGC 1614 and NGC 3256 undergo extended bursts of star formation revealed by their large far-infrared luminosities, and by the presence in the near-infrared spectrum of the 3.28 microns feature (Morwood: 1986, A. A. 166, 4) attributed to polycyclic aromatic hydrocarbons. On the other hand, NGC 7252 has a milder activity of star formation, as suggested by a lower infrared luminosity, and thus seems to have gone past the starburst phase. The CO data were collected with the Swedish-ESO 15 m Submillimeter Telescope (SEST) (beamsize = 43 seconds at 115 GHz, 23 seconds at 230 GHz). For NGC 7252, researchers have only observed the central position in CO-12(1-0). The spectrum is displayed together with an HI spectrum obtained with the Nancay radiotelescope. Researchers mapped NGC 1614 and NGC 3256 in CO-12(1-0) and CO-12(2-1), and also observed the nucleus of NGC 3256 in CO-13(1-0). The various CO spectra obtained towards the nuclei of both galaxies are presented. Characteristics of the galaxies are gathered, with luminosities and masses in solar units and temperatures in Kelvins

    CO deficiency in galaxies of the Fornax cluster?

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    There is ample observational evidence that cluster galaxies are different from those in the field. Interaction with the hot intracluster medium affects the morphology of the galaxies, their gaseous content and possibly their star-formation activity. Tidal encounters between galaxies also play an important role. The atomic component has been investigated in detail for several clusters, among them our neighbor Virgo. With the Swedish-ESO 15 m telescope, we have observed in the 12CO(1-0) transition the 23 brightest spirals and lenticulars of the Formax cluster

    13CO(J=10)^{13}CO(J = 1 -- 0) Depression in Luminous Starburst Mergers

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    It is known that the class of luminous starburst galaxies tends to have higher R=12CO(J=10)/13CO(J=10)R =^{12}CO(J=1--0)/^{13}CO(J=1--0) integrated line intensity ratios (R>20R>20) than normal spiral galaxies (R10R \sim 10). Since most previous studies investigated only RR, it remains uncertain whether the luminous starburst galaxies are overabundant in 12^{12}CO or underabundant in 13^{13}CO. Here we propose a new observational test to examine this problem. Our new test is to compare far-infrared luminosities [LL(FIR)] with those of 12^{12}CO and 13CO[L(12CO)^{13}CO [L(^{12}CO) and L(13CO)L(^{13}CO), respectively]. It is shown that there is a very tight correlation between L(12CO)L(^{12}CO) and L(FIR), as found in many previous studies. However, we find that the 13^{13}CO luminosities of the high-R galaxies are lower by a factor of three on the average than those expected from the correlation for the remaining galaxies with ordinary RR values. Therefore, we conclude that the observed high RR values for the luminous starburst galaxies are attributed to their lower 13^{13}CO line intensities.Comment: 9 pages (aaspp4.sty), 3 postscript figures (embedded). Accepted for publication in Astrophysical Journal Letter

    Materials and paint technique of a special masterpiece: Jacopo Tintoretto’s The Wedding Feast at Cana in Venice

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    The present paper illustrates the results of the scientific investigation performed on the painting on canvas The Wedding Feast at Cana (1561) by Jacopo Robusti, nicknamed Tintoretto. The painting, commissioned for the refectory of the Crociferi’s Convent of, is located in the Sacristy of the Basilica della Madonna della Salute in Venice, after the dissolution of the congregation. Noninvasive single spot technique (X-ray fluorescence), and analytical investigations (optical microscopy, scanning electron microscopy with energy dispersive spectroscopy, and gas chromatography coupled with mass spectrometry) on ten micro-samples were combined to retrieve the palette and identifying the organic binding media. The investigations revealed the existence of many pigments available at that time in Venice, among which is the precious lapis lazuli. The identification of two pigments, one white and one blue, allowed to know the possible time of execution of the two angles, added at the top. The study of the painting has made it possible to know completely unexpected aspects: the painting does not present the traditional ground of gypsum and animal glue, but it turns out to be complete without the preparatory layer. This painting is described by art historians as an “oil on canvas”; however, GC/MS did not identify any fatty acids of siccative oil, but only egg, presumably yolk, then The Wedding Feast at Cana was made in tempera. on canvas The Wedding Feast at Cana (1561) by Jacopo Robusti, nicknamed Tintoretto. The painting, commissioned for the refectory of the Crociferi’s Convent of, is located in the Sacristy of the Basilica della Madonna della Salute in Venice, after the dissolution of the congregation. Noninvasive single spot technique (X-ray fluorescence), and analytical investigations (optical microscopy, scanning electron microscopy with energy dispersive spectroscopy, and gas chromatography coupled with mass spectrometry) on ten micro-samples were combined to retrieve the palette and identifying the organic binding media. The investigations revealed the existence of many pigments available at that time in Venice, among which is the precious lapis lazuli. The identification of two pigments, one white and one blue, allowed to know the possible time of execution of the two angles, added at the top. The study of the painting has made it possible to know completely unexpected aspects: the painting does not present the traditional ground of gypsum and animal glue, but it turns out to be complete without the preparatory layer. This painting is described by art historians as an “oil on canvas”; however, GC/MS did not identify any fatty acids of siccative oil, but only egg, presumably yolk, then The Wedding Feast at Cana was made in tempera
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