41,313 research outputs found
General expressions for extra-dimensional tree amplitudes and all-plus 1-loop integrands in Q-cut representaion
In this paper, we give the general expressions for a special series of tree
amplitudes of the Yang-Mills theory. This series of amplitudes have two
adjacent massless spin-1 particles with extra-dimensional momenta and any
number of positive helicity gluons. With special helicity choices, we use the
spinor helicity formalism to express these n-point amplitudes in compact forms,
and find a clever way to use the BCFW recursion relations to prove the results.
Then these amplitudes are used to form the complete 1-loop all-plus integrand
with any number of gluons, expressed in the Q-cut representation.Comment: Published version with 20 pages, 8 figure, and 1 new referenc
MuseGAN: Multi-track Sequential Generative Adversarial Networks for Symbolic Music Generation and Accompaniment
Generating music has a few notable differences from generating images and
videos. First, music is an art of time, necessitating a temporal model. Second,
music is usually composed of multiple instruments/tracks with their own
temporal dynamics, but collectively they unfold over time interdependently.
Lastly, musical notes are often grouped into chords, arpeggios or melodies in
polyphonic music, and thereby introducing a chronological ordering of notes is
not naturally suitable. In this paper, we propose three models for symbolic
multi-track music generation under the framework of generative adversarial
networks (GANs). The three models, which differ in the underlying assumptions
and accordingly the network architectures, are referred to as the jamming
model, the composer model and the hybrid model. We trained the proposed models
on a dataset of over one hundred thousand bars of rock music and applied them
to generate piano-rolls of five tracks: bass, drums, guitar, piano and strings.
A few intra-track and inter-track objective metrics are also proposed to
evaluate the generative results, in addition to a subjective user study. We
show that our models can generate coherent music of four bars right from
scratch (i.e. without human inputs). We also extend our models to human-AI
cooperative music generation: given a specific track composed by human, we can
generate four additional tracks to accompany it. All code, the dataset and the
rendered audio samples are available at https://salu133445.github.io/musegan/ .Comment: to appear at AAAI 201
Revisiting the problem of audio-based hit song prediction using convolutional neural networks
Being able to predict whether a song can be a hit has impor- tant
applications in the music industry. Although it is true that the popularity of
a song can be greatly affected by exter- nal factors such as social and
commercial influences, to which degree audio features computed from musical
signals (whom we regard as internal factors) can predict song popularity is an
interesting research question on its own. Motivated by the recent success of
deep learning techniques, we attempt to ex- tend previous work on hit song
prediction by jointly learning the audio features and prediction models using
deep learning. Specifically, we experiment with a convolutional neural net-
work model that takes the primitive mel-spectrogram as the input for feature
learning, a more advanced JYnet model that uses an external song dataset for
supervised pre-training and auto-tagging, and the combination of these two
models. We also consider the inception model to characterize audio infor-
mation in different scales. Our experiments suggest that deep structures are
indeed more accurate than shallow structures in predicting the popularity of
either Chinese or Western Pop songs in Taiwan. We also use the tags predicted
by JYnet to gain insights into the result of different models.Comment: To appear in the proceedings of 2017 IEEE International Conference on
Acoustics, Speech and Signal Processing (ICASSP
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