Re-Enacting Pasts, Presents, and Futures in the Middle East in Yochai Avrahami and Doron Tavori’s “Land of the Gilead”

This article focuses on a performance titled In the Land of the Gilead, performed in 2012 by Doron Tavori and Yochai Avrahami at the Centre for Digital Art in Israel. The work was performed as a part of the exhibition Le’an (Where To?). Its title is derived from a plan suggested by Laurence Oliphant (a British colonialist bureaucrat, author, and Member of Parliament) in 1881 to settle Jews in the Gilead region east of the Jordan River. The article examines the ways in which Tavori and Avrahami re-enact Oliphant’s plan, which was never realised, as well as numerous other historical moments of Oliphant’s colonialist endeavours and those of his contemporaries, tying them to the present-day situation in the Middle East and elsewhere. The article also examines the wider contexts and curatorial strategies of the exhibition Le’an, which focused on alternative Zionist histories that challenged Zionism’s exclusive focus on the land of Israel. The article suggests that by juxtaposing nuanced and complex re-enactments of numerous and conflicting histories, the work prompts audiences to reconsider their political and national understanding of such colonial and Zionist histories, allowing these complex pasts (which are often celebrated or silenced) to be articulated as integral to contemporary national narratives

Narratives Unfolding : National Art Histories in an Unfinished World

"Somewhere between global and local, the nation still lingers as a concept. National art histories continue to be written - some for the first time - while innovative methods and practices redraw the boundaries of these imagined communities. Narratives Unfolding considers the mobility of ideas, transnationalism, and entangled histories in essays that define new ways to see national art in ever-changing nations. " -- Publisher's website