The Invisible Argument: Recognizing race through visceral reasoning

This project works to define a visceral mode of reasoning in relation to Gilbert’s (1997) system of argumentation and evaluates whether or not the body is always implicated in discourse. Kennedy’s announcement of King’s assassination will illustrate how a transgression of subjectivity was met by a momentary suspension of racialized terms of the day. The racialized body allows examination into the excess of the argument or that which lies beyond the words

Political Reasonableness: A Content Analysis of the New York Times 1860-2004

This paper reports the preliminary results of a content analysis of the use and functions of reasonableness in the New York Times editorial page from 1860-2004. We begin by setting out several reasons why we should devote our critical attention to the concept of reasonableness. We then justify our choice of the New York Times editorial page and describe our sample and analytic method. The body of the paper reports three results. First, the primary meanings of the concept are detailed. These include prudence, rationality, fairness, and appropriateness. Second, a distinction between an epistemic and a non-epistemic function of the concept was found in both the qualitative and quantitative analysis of the data. Moreover, we found that the vast majority of the editorials employ the non-epistemic function--a fact that we argue has significant consequences for argumentation theory. Finally, we found that the topoi of reasonableness primarily concern the legitimacy of applications of social and political power. We conclude that to explicate the meanings and functions of reasonableness is to explicate the rhetoric of power in liberal democracies

April 4, 1968: Death, Difference, and Dialogue

Robert Kennedy\u27s announcement of the assassination of Martin Luther King, Jr., in an Indianapolis urban community that did not revolt in riots on April 4, 1968, provides one significant example in which feelings, energy, and bodily risk resonate alongside the articulated message. The relentless focus on Kennedy\u27s spoken words, in historical biographies and other critical research, presents a problem of isolated effect because the power really comes from elements outside the speech act. Thus, this project embraces the complexities of rhetorical effectivity, which involves such things as the unique situational context, all participants (both Kennedy and his audience) of the speech act, aesthetic argument, and the ethical implications. This version of the story embraces the many voices of the participants through first hand interviews and new oral history reports. Using evidence provided from actual participants in the 1968 Indianapolis event, this project reflects critically upon the world disclosure of the event as it emerges from those remembrances. Phenomenology provides one answer to the constitutive dilemma of rhetorical effectivity that stems from a lack of a framework that gets at questions of ethics, aesthetics, feelings, energy, etc. Thus, this work takes a pedagogical shift away from discourse (verbal/written) as the primary place to render judgments about the effects of communication interaction. With a turn to explore extra-sensory reasoning, by way of the physical, emotional, and numinous, a multi-dimensional look at public address is delivered. The rhetorician will be interested in new ways of assessing effects. The communication ethicist will appreciate the work as concepts like answerability, emotional-volitional tone, and care for the other, come to life via application and consideration of Kennedy\u27s appearance. For argumentation scholars, the interest comes forth in a re-thinking of how we do argumentation. And the critical cultural scholar will find this story ripe with opportunities to uncover the politics of representation, racialized discourse, privilege, power, ideological hegemony, and reconciliation. Through an approach of multiple layers this real-life tale will expose the power of the presence among audience and speaker, emotive argument, as well as the magical turn of fate which all contributes the possibility of a dialogic rhetoric