HST images and properties of the most distant radio galaxies

We present Hubble Space Telescope images of 11 high redshift radio galaxies (between $z=2.3$ and $z=3.6$). The galaxies were observed with the WFPC2 camera in a broad band filter (F606W or F707W, roughly equivalent to V or R-band), for 2 orbits each. We find that on the scale of the HST observations there is a wide variety of morphological structures of the hosting galaxies: most objects have a clumpy, irregular appearance, consisting of a bright nucleus and a number of smaller components, suggestive of merging systems. Some observed structures could be due (at least partly) to the presence of dust distributed through the galaxies. The UV continuum emission is generally elongated and aligned with the axis of the radio sources, however the characteristics of the ``alignment effect'' differ from case to case, suggesting that the phenomenon cannot be explained by a single physical mechanism. We compare the properties of our radio galaxies with those of the UV dropout galaxies and conclude that (i) the most massive radio galaxies may well evolve from an aggregate of UV dropout galaxies and (ii) high redshift radio galaxies probably evolve into present day brightest cluster galaxies.Comment: 22 pages, 30 figures, accepted by A&

Search for clusters at high redshift - I. Candidate Lya emitters near 1138-262 at z=2.2

Radio, optical and X-ray observations of the powerful radio galaxy PKS 1138-262 at z=2.156 have suggested that this galaxy is a massive galaxy in the center of a forming cluster. We have imaged 1138-262 and the surrounding 38 square arcminute field with the Very Large Telescope in a broad band and a narrow band encompassing the redshifted Lya emission. We detect 50 objects with rest equivalent width larger than 20 A and a luminous, highly extended Lya halo around 1138-262. If the radio galaxy is at the center of a forming cluster, these objects are candidate Lya emitting cluster galaxies.Comment: Accepted for publication in A&A as Letter, 4 pages, 4 figure

Sex and the Cinema: What American Pie Teaches the Young

This paper focuses upon the wildly successful blockbuster American Pie teenpics, especially American Pie 3 – the Wedding. I argue that these films, which are sited so securely within the visual and pedagogical machinery of Hollywood culture, are specifically designed to appeal to teenage male audiences, and to provide lessons in sex and romance. Movies like this are especially important as they are experienced by far more teenagers than, for example, instructional films or other classroom materials; indeed, as Henry Giroux has observed, "teens and youth learn how to define themselves outside of the traditional sites of instruction, such as the home and the school… Learning in the postmodern age is located elsewhere – in popular spheres that shape their identities, through forms of knowledge and desires that appear absent from what is taught in schools" (Giroux, 1997, p.49). In this paper I discuss whether the American Pie series is actually a "new age" effort which, via insubordinate performances of gender, contests the hegemonic field of signification which regulates the production of sex, gender and desire, or whether it is more accurately described as a retrogressive hetero-conservative opus with a veneer of sexual radicalism. In short, I intend to probe whether this filmic vector for sex education is all about the shaping of responsible, caring, vulnerable men, or is it guiding them to become just like their heterosexual, middle-class fathers? And whether, despite its riotous and raunchy advertising, American Pie really dishes up something spicy or something terribly wholesome instead