Priene, a Monumental Disaster in the Aegean: Digital Approaches to the Doric Stoa’s and the Theater’s Lost Evidence

This paper uses digital approaches to investigate Priene's (Turkey) archaeological area. The city was built ex novo, after a catastrophic earthquake around 350 BC, on a new site facing the Mediterranean Sea. The city suffered a slow decline following centuries of development and was abandoned after the 12th century. The remains of Priene were discovered in the 17th century, and different excavations and studies have been conducted in the last few centuries. The city's remains have been studied from various archaeological and historical points of view. It is documented that the city suffered different earthquakes during its existence, as demonstrated by the partial restorations and damage patterns visible within the remains. This contribution offers a methodological and interdisciplinary approach for studying and enhancing archaeological heritage. This paper presents the preliminary results of the first comprehensive digital acquisition of the Aegean city of Priene. The digitization approaches here described focused on digital acquisition and 3D modeling restitution in the form of virtual reconstructions of two monumental buildings: the Doric Stoa near the Temple of Athena Polias and the Theater. The procedure was complementary to the analysis and comprehension of previous numerous studies carried out by British and German institutions, where digital acquisition and restitution techniques have led to the validation of previously obtained results. For the first time, digital models have been used as tools for accessing heterogeneous knowledge, and they have been incorporated into the discourse of archeological studies. Indeed, the interdisciplinary team went beyond archaeological data to attempt to digitally reconstruct monumental complexes and conduct preliminary structural evaluations scientifically

public housing in florence seismic assessment of masonry buildings

Abstract Florence is known all over the word for its historical and monumental buildings; however, most part of residential buildings have been made in the XX century, and they present all the critical issues proper of recent housing. Florence is one of the first Italian cities to have experienced the public housing. Its public housing population consists mostly of masonry buildings, and it does not comply the requirements provided by the current seismic legislation. This work is aimed at evaluating the seismic performance of a masonry building-type belonging to the public housing population of Florence. A typical public housing intervention, consisting of 18 masonry buildings, has been assumed as case-study. The seismic input has been described according to the Italian Code prescriptions, by considering the effective soil stratigraphy, and considering the effective mechanical properties of each layer. The seismic performance of the case-studies has been checked by performing a nonlinear static analysis. The results are expressed in terms of seismic performance, defined as the ratio between the seismic capacity and the corresponding demand. The obtained results evidenced the role of the building features on the seismic assessment of the buildings

the bartolomeo ammannati s fountain an artifact in progress

Abstract Artifacts are not only fundamental evidences of our history and culture, but they are even entities having a proper "life". The present research focuses on Bartolomeo Ammannati's Juno Fountain (1555) – a Late-Renaissance masterpiece whose eventful story made it moving around from its planned site, the "Sala Grande" in Florentine Palazzo Vecchio, to Pratolino Park, then to Boboli Garden. Finally, current fragments re-assembling and museography staging under the vaults of the National Museum of Bargello court in Florence has been set up a few years ago on the 5th centenary of Ammannati's birthdate – after careful historical research about the many vicissitudes of the Fountain. Although there isn't any location change expected for this Ammannati's artwork, investigations and researches are going on. Namely, the seismic performance of the reconstructed Fountain is to be checked with reference to the seismic hazard of the site, as provided by the Italian Code classification. To this objective, the previously done laser scanning which allowed a three-dimensional digital modeling to help re-assembling the Fountain, has been now adopted to perform the structural analysis. Consequently, a structural evaluation to check the setting's seismic behavior is currently under process. The research, developed by joining different knowledges and fields, is an example of the importance of a multidisciplinary approach for preserving artifacts and museums' collections