476 research outputs found
"Atheism is not the problem. The problem is being a woman." Atheist Women and Reasonable Feminism
Peer reviewedPostprin
Presuming Religious Congruence? The Nonreligious and Catholicism in Poland
Open Access via Jisc Sage Agreement Acknowledgements The author would like to thank the anonymous reviewers for their helpful comments. Funding The author disclosed receipt of the following financial support for the research, authorship, and/or publication of this article: This research was supported by the British Academy (Grant Number RG13971-10).Peer reviewedPublisher PD
Om Polen i svensk dagspress
The following article is a part of research on the image of Poland in Sweden and Sweden in Poland done for the authorâs PhD dissertation. The analysis of newspaper articles published in Swedish newspapers since 1987 till 1997 showed the most popular issues on Poland. They are: pollution, the situation of Polish Jews and the position of the Catholic church in Poland, Polish-German and Polish-Russian bilateral relations. The issues are described completely in the articles, however, they become generalised and stereotyped in overseas reports
âTalkingâ containers. Visual heterotopias in the pictureÂŹbooks illustrated by Svein Nyhus
The article discusses picturebooks illustrated by a NorweÂgian artist, Svein Nyhus, to show his specific symbolic manner of depicting the childâs environment. It is argued that the illustrator employs characteristic recurrent elements of home representations and elaborates an interesting interplay of outer and inner spaces, consistently focusing the childâs perspective. This is demonstrated by an analysis of four picturebooks by the Norwegian artist: Pappa! (1998, Daddy!), Snill (2002, Nice), Sinna mann (2003, Angry Man) and HĂ„ret till mamma (2007, Mumâs Hair). The books have been regarded as ambitious literature for children, addressing difficult issues or even sometimes breaking a taboo. To show Nyhusâ visual method of thematising childhoodâs traumas in relation to a home space is also one of the aims of the paper. The analysis of visual content is carried out with references to the textual narratives, drawing on ideas about heterotopia by Michel Foucault (1984), self-effacement by Karen Horney (1997) and the poetics of space by Gaston Bachelard (1969)
PĂ„ spaning efter en halvglömd genre: Litaniaminnen i âBön till solenâ av Karin Boye
The article is a presentation of partial research on litanic verse in Swedish literature carried out within the project âLitanic Verse in the Culture of European Regionsâ. Starting from the origins of the litanic genre, described by Witold Sadowski, the author analyses Karin Boyeâs poem âBön till solenâ (âPrayer to the Sunâ), paying special attention to the presence of the three litanic genes: the ektenial, the polyonymic and the chairetismic. As the typical stylistic figures and structural solutions occur in the poem, a conclusion can be drawn that âBön till solenâ is an example of preservation of litanic patterns in the Swedish literary tradition
Om Sverige i polsk press 1989-1999
An analysis o f articles about Sweden which have appeared in the Polish press from 1989 to 1999 makes it possible to distinguish the most frequent subjects chosen by Polish journalists. These subjects include the unsolved case of the assassination of Olof Palme, the drawbacks of the Swedish welfare state, the controversies connected with Swedish neutrality, the discussions on how far equality can go and the problems of a multicultural country; as well as Swedish peculiarities such as alcohol policy, liberal morals, the position of the Church in a secularized society and the attachment to the monarchy. This article covers several examples o f these most popular topics. It also examines the way in which they have been presented, with regard to the traditional perception of Sweden by Poles as well as to the sense of Polish national identity noticeable in the journalistsâ comments. The problems connected with these issues are discussed in greater detail in the authorâs doctoral thesis in the chapter which deals with the perception of Sweden in Poland
Tappra martyrer och katolska brÄkmakare. Om nÄgra historiskt betingade traditioner i den svenska bilden av Polen
The article puts together and describes four main traditions of the Swedish perception of the Polish, which have been formed through the centuries by the conflicts and encounters, as well as similarities and differences in the development of societies in these two countries. The historically qualified notions about the Polish as courageous warriors, innocent martyrs, anarchy rioters and catholic fanatics reappear also in Swedish press articles that were published after 1989, sometimes gaining a new meaning. These notions should be interpreted in the background of national narratives of the Swedes since images of the others are being often used while defining oneâs own group and consequently they shouldbe seen as a substantial constituent of national identity
Det individuella möter det kollektiva. SjÀlvbiografiskt stoff i barndomsskildringar frÄn det svenska folkhemmet
The subject of the article are autobiographical threads present in Swedish stories about childhood and adolescence published after 1986 that form part of the narrative pertaining to the origins, evolution and decline of the Swedish welfare state (folkhemmet). With reference to such concepts as autobiographical pact, autobiographical novel and auto-fiction, the author discusses the various ways six contemporary Swedish writers (PC Jersild, Kjell Johansson, Susanna Alakoski, Jonas Gardell and Lena Andersson) use their biographies. Special focus is given to the notion of how a cogitation upon individual fate becomes universal when placed in a social context. Another problem analysed by the author is the significance of autobiographical threads for building relationships between the writer and the reader and for the reception of a literary text
Secrets of Universal Reading: The Moomin Books by Tove Jansson from the Perspective of Implied Reader and Literary Response
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