Ken Loach : eine Arbeitsbibliographie

Inhalt: I. Loach über Loach / Interviews II. Bücher / Artikel Die Fernseharbeiten und -auftritte sowie Sendungen über Loach III. Die Film

Boston University Repertory Chorus, Boston University Women's Chorale, and Boston University Men's Chorus

This is the concert program of the Boston University Repertory Chorus, Boston University Women's Chorale, and Boston University Men's Chorus performance on Saturday, April 29, 2000 at 1:30 p.m., at Boston University Marsh Chapel, 735 Commonwealth Avenue. Works performed were Missa Brevis Sancti Joannis de Deo in B-flat Major H.XXII 7 "Kleine Orgelmesse" by Franz Joseph Haydn, Salut Printemps by Claude Debussy, A-Roving arranged by Alice Parker and Robert Shaw, and The Drummer and the Cook arranged by Alice Parker and Robert Shaw. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Ellalou Dimmock Honors Voice Recital, November 13, 2012

This is the concert program of the Ellalou Dimmock Honors Voice Recital performance on Tuesday, November 13, 2012 at 8:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were From Chants d'Auvergne by Joseph Canteloube, Cuatro Madrigales Amatorios by Joaquin Rodrio, Siete Canciones Populares Españolas by Mauel de Falla, Tarentelle (Monnier) by Gabriel Fauré, Three Songs by Georges Bizet, Catalogue de Fleurs by Darius Milhaud, and Quatre Chansons de Jeunesse by Claude Debussy. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Salzedo Remembered, October 21, 1984

This is the concert program of the Salzedo Remembered performance on Sunday, October 21, 1984 at 3:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Prelude to Olaf Bolm by Carlos Salzedo, Énigme by C. Salzedo, To Marya Freund by C. Salzedo, Piece concertante, Op. 27 by C. Salzedo, Trois Poèmes de Stéphane Mallarmé by C. Salzedo, Sonata for Harp and Piano by C. Salzedo, Arpeggina- Toys: Suite for Harp Ensemble by John Goodman, Volute et Rondel by C. Salzedo, Ballade by C. Salzedo, and Childrens' Corner by Claude Debussy, transcribed by C. Salzedo. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Robert Altman : erste bibliographische Notizen

Die folgende Arbeitsbibliographie entstand im Kontext eines Seminars zu den Filmen Altmans. Sie versteht sich als eine erste Durchsicht des Materials und soll fortgeschrieben werden. Die Oscar-Verleihung im März 2006 wird auch das akademische Interesse an Altmans Filmen beleben - insbesondere für diesen Kontext versteht sich die folgende Sammlung. Wir bitten, uns Ergänzungen und Korrekturen, Abstracts und Hinweise auf Mehrfachabdrucke zuzusenden, wir werden sie in die Bibliographie einfügen und sie gelegentlich in erweiterter Fassung online zugänglich machen

Déconstruction interactionnelle du genre : émancipées par l'éducation ou excipées de l'honneur masculin ?: Trajectoires de femmes gitanes

Under the seal of relentless globalization, gypsy societies moult and mutate, resist assimilation by a two-way acculturation process. In this essay, it is logical to discuss two faced. On the one hand, the ideological apparatuses and national mass media sous le sceau implacable de la globalisation project value judgments about institutions and family rituals. Arguing modernity, miserabilist reproducing patterns and negative images, they contribute to assign the new generations to conduct gypsy ghetto, according to the ultra-liberal rhetoric pockets of poverty and community decline. But other journalists show a more sensitive listening. And far from these imagological buildings or these "images catching", that can provide a sense of loss of human, in other hand, by the reserve and dignity, Gypsy women deconstruct their statutes and weave paths atypical, reversing the dominant stereotypes, continuing their education and delaying age at marriage. At the same time, they reinvest "traditions" and practices differential like such as premarital ritual deflowering of the bride, often missed by exogenous attention. In groups minoritized, gender relations and marriage strategies are recomposed in the development of new relationships in the world : "Openness to the future, a better lifestyle and a new challenge to force its own paradigms" (V. Turner, 1974, 14)Sous le sceau implacable de la globalisation, les sociétés gitanes muent et mutent, résistent à l'assimilation (a two-way acculturation). Dans cet essai, il s'agit d'évoquer deux logiques affrontées. D'une part, les appareils idéologiques et les mass média nationaux projettent des jugements de valeur sur les institutions rituelles et familiales (Télérama, TF1, presse locale). Arguant de modernité, reproduisant des schèmes misérabilistes et des représentations négatives, ils contribuent ainsi à assigner les nouvelles générations gitanes à des conduites de ghetto, selon la rhétorique ultralibérale des poches de pauvreté et du repli communautaire. Mais d'autres journalistes témoignent d'une écoute plus sensible. Et loin de ces constructions imagologiques ou de ces " captures par l'image ", qui peuvent procurer le sentiment d'une " perte de l'humain ", d'autre part, dans la réserve et la dignité, des femmes gitanes déconstruisent leurs statuts et trament des parcours atypiques, renversant les stéréotypes dominants, poursuivant leurs études et retardant l'âge au mariage. Dans le même temps, elles réinvestissent des " traditions " et des pratiques différentielles tel le rituel de défloration préconjugale de la mariée, souvent mal perçu par les regards exogènes. Dans les groupes minorisés, les rapports de genre et les stratégies de nuptialité se recomposent dans la mise au monde de relations inédites : " une ouverture vers le futur, un meilleur mode de vie et une nouvelle force de contestation de ses propres paradigmes " (V. Turner, 1974, 14)

Boston University Women's Chorale and Concert Choir, February 9, 2007

This is the concert program of the Boston University Women's Chorale and Concert Choir performance on Friday, February 9, 2007 at 8:00 p.m., at Marsh Chapel, 735 Commonwealth Avenue, Boston, Massachusetts. Works performed were Ave Maria from Triptych by Alan Hovhaness, Unterschale (Four Russian Peasant Songs) by Igor Stravinsky, Salut Printemps by Claude Debussy, Choral Dances from Gloriana, Op. 53 by Benjamin Britten, and Requiem, Op. 48 by Gabriel Fauré. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Famille, Langue, Identité: La venue à l’écriture dans Le Vin de solitude

Romance Languages and Literature