29 research outputs found

    Los sueños, la agencia y el juicio

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    De acuerdo con Sosa, Descartes es un epistemólogo de virtudes, y podemos entender el proyecto epistemológico de Descartes sólo como un proyecto de segundo orden que concuerda con esta manera de entender su epistemología. Mi objetivo en este artículo es el de ahondar en esta comparación con la epistemología de Descartes, principalmente mediante la exploración de una manera en la que uno podría añadir ciertos detalles suplementarios a la postura general de Sosa, con la finalidad de que ésta concuerde de mejor manera con la postura de Descartes, o al menos con la que yo considero que es la postura de DescartesPalabras clave: Ernest Sosa, Descartes, conocimiento animal, conocimiento reflexivo, cognitio, scientia.AbstractAccording to Sosa, Descartes is a virtue epistemologist, and we can make sense of Descartes’ epistemological project only as a second-order project that fits with this view of his epistemology. My aim in this paper is to pursue this comparison with Descartes’ epistemology—principally through exploring a way in which one might add certain supplementary details to Sosa’s general approach, in order to bring it into closer alignment with Descartes’ view, or at least what I take to be Descartes’ view Keywords: Ernest Sosa, Descartes, animal knowledge, reflective knowledge, cognitio, scientia.&nbsp

    Dreams, Agency, and Judgement

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    AbstractSosa (Proc Addresses Am Philos Assoc 79(2): 7–18, 2005) argues that we should reject the orthodox conception of dreaming—the view that dream states and waking states are “intrinsically alike, though different in their causes and effects” (2005: p. 7). The alternative he proposes is that “to dream is to imagine” (2005: p. 7). According to this imagination model of dreaming, our dreamt conscious beliefs, experiences, affirmations, decisions and intentions are not “real” insofar as they are all merely imagined beliefs, experiences, affirmations, decisions and intentions. This paper assesses the epistemic implications of Sosa’s imagination model of dreaming. Section 1 outlines and assesses the reasons Sosa gives for thinking that his imagination model of dreaming introduces a new dimension to debates about dream scepticism. Sosa argues that his imagination model of dreaming invites a more radical version of dream scepticism, and also makes available a novel and more powerful response to dream scepticism. Objections are raised to both of those claims. This leads to a challenge to Sosa’s imagination model of dreaming. This is the concern that Sosa’s imagination model of dreaming lacks the resources to accommodate the intuition that there is something illusory or misleading about one’s situation when one is dreaming, and as a result his account of dreams fails to accommodate the common intuition that there is a sceptical problem about dreaming but not about dreamless sleep. Section 2 of the paper elaborates a version of the imagination model of dreaming that can overcome that challenge. This version of the imagination model of dreaming goes beyond what Sosa explicitly commits to when he outlines his view of dreams, however, it exploits ideas that are integral to a key theme in Sosa’s recent writings on virtue reliabilism—namely his proposal that epistemic agency should be accorded a central place in that approach to knowledge, and his related proposal that agency is exercised in conscious judgement. An implication of this version of the imagination model of dreaming is that an elucidation of a connection between the wakeful condition and our capacity to exercise agency over our mental lives should be central to an account of the nature, and epistemic significance of, wakeful consciousness. The final section of the paper considers whether this version of the imagination model of dreaming has anything novel to contribute to debates about dream scepticism.</jats:p

    Time in the Dream

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    The disjunctive theory of perception

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    Perceptual experiences are often divided into the following three broad categories: veridical perceptions, illusions, and hallucinations. For example, when one has a visual experience as of a red object, it may be that one is really seeing an object and its red colour (veridical perception), that one is seeing a green object (illusion), or that one is not seeing an object at all (hallucination). Many maintain that the same account should be given of the nature of the conscious experience that occurs in each of these three cases. Those who hold a disjunctive theory of perception deny this. Disjunctivists typically reject the claim that the same kind of experience is common to all three cases because they hold views about the nature of veridical perception that are inconsistent with it. Disjunctivists are often naĂŻve realists, who hold that when one perceives the world, the mind-independent objects of perception, such as tables and trees, are constituents of one's experience. In other cases, such as hallucinations, it seems out of the question that such objects are constituents of one's experience. It follows that on a naĂŻve realist view, the veridical perceptions and hallucinations in question have a different nature: the former have mind-independent objects as constituents, and the latter do not

    VII - The subjective view of experience and its objective commitments

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    In the first part of the paper I try to explain why the disjunctive theory of perception can seem so counterintuitive by focusing on two of the standard arguments against the view—the argument from subjective indiscriminability and the causal argument. I suggest that by focusing on these arguments, and in particular the intuitions that lie behind them, we gain a clearer view of what the disjunctive theory is committed to and why. In light of this understanding, I then present an argument for the disjunctive theory based on the claim that the content of experience is particular and not general

    Experience, Process, Continuity and Boundary

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    This chapter discusses what account should be given of the ontology of perceptual accomplishments that take time (such as listening to a musical performance). The following questions are addressed. Do these perceptual accomplishments involve a succession of distinct, discrete experiences? If not, then what account should be given of the respect in which different temporal parts of the events one perceives are experienced as successively present? Are the boundaries of the experienced present the temporal boundaries of a perceptual experience, or should they be conceived of in some other way? The chapter outlines a conception of process that can help address these questions by illuminating the place and role of notions of continuity, succession, and boundary in an account of our experience over extended intervals of time. It is suggested that this account is relevant to explaining the sense one might have that the present is both fleeting and incessant.</p

    Review of Perception, by Robinson, H.

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    Howard Robinson's Perception is now rightly regarded as essential reading for anyone seeking to understand the sense-datum theory of perception and its motivations. It should also be regarded as essential reading for those with a more general philosophical interest in perception and sensory consciousness. As well as discussing the history of the sense-datum theory, and the nature of sense-data and their relation to the physical world, Robinson offers critiques of physicalist theories of perception, intentional/representational theories, adverbial theories, and naive realist/disjunctivist theories. Along the way he also discusses Wittgenstein's private language argument and the nature of secondary qualities. Over the course of the book we are presented with a sustained, and forthright, defence of a sense-datum theory in its traditional form. The arguments are clear, briskly delivered, and challenging. Here I highlight two key elements in Robinson's case for a sense-datum theory, which I think pose an especially serious challenge for his opponents. These are his articulation and defence of the ‘phenomenal principle’ and his ‘revised’ causal argument for sense-data
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