Following the fish: an introduction to textual frames for the exhibition

In some parts of the world, people survey their situation in relation to othersin other parts of the world and say “We are fortunate.” They rarelyrealize that fortune has little to do with it: that fortune is the residue ofdesign and they the unconscious inheritors of (post-)colonial violence, dispossessionand displacement. They little note that the world does not existto furnish their existence in it. They simply assume it does, and the worldhas been designed to materialize that assumption.Others in those other parts of the world might go to great and hazardouslengths to arrive in the complacent spots of the globe. Their legalstatus and labor options as precarious as their crossings. This too is partof the design of fortune. People rarely aspire to be immigrants or refugeeswhen they are young. Some are forced to be either or both when young,when old, when neither—when choices narrow and telescope to a vanishingpoint on a rapidly receding horizon. As Neferti Tadiar notes in hercontribution to this volume: “To be a refugee is, after all, to be in search ofrefuge in the aftermath of dispossession from the place of one’s sustainedliving.” The refuge the refugee seeks exists in the lacunae and intersticesof privilege

Urbanism beyond Architecture : African cities as Infrastructure

For this conversation, we take as our point of departure the multiple uses deriving from the Latin root 'capitalis', to explore dispersals of capital (financial and human) and their relation to capital cities such as Dakar, Kinshasa or Khartoum.About African Cities Reader(A creation of the African Centre for Cities & Chimurenga Magazine ) In many senses African cities are amongst the most generative and vibrant places on the planet. Yet, we know next to nothing about what goes on in the places. Not that there is any shortage of caricature, hyperbole or opinion about what makes African cities such quintessential spaces of dystopia and atrophy. We believe that a range of interventions that seek to engage the shape-shifting essence of African cities are long overdue and present this modest initiative as one contribution to a larger movement of imagination to redefine the practical workings of the African city. For us it is self-evident that one has to take the youthful demographic, informality and a non-conventional insertion in global circuits by African urbanites as a starting point for a sustained engagement and retelling of the city in contemporary Africa. The cultural, livelihood, religious, stylistic, commercial, familial, knowledge producing and navigational capacities of African urbanites are typically overlooked, unappreciated and undervalued. We want to bring their stories and practices to the fore in the African Cities Reader. In other words, the African Cities Reader seeks to become a forum where Africans will tell their own stories, draw their own maps and represent their own spatial topographies as it continuous to evolve and adapt at the interstice of difference, complexity, opportunism, and irony. In terms of focus, tone and sensibility, the Reader will be vibrant, unapologetic, free, accessible and open, provocative, fresh, not take itself too seriously, but also be rigorous and premised on the assumption that it will grow and evolve over time. The launch issue (2008/9) is organised around the theme: "Pan-African Practices". The back story to this theme is the recognition that all African cities are the product of multiple trajectories and origins, which implies that that the living, breathing, pulsating fact of African cities adds up to a form of 'pan-Africanism' that is more interesting than the tired tropes of pan-African Nationalism that remains the stock and trade of many official discourses about transnational and trans-local practices on the continent. We believe that 'pan-Africanism as a practice' despite the repeated deaths of pan-Africanism as a nationalist discourse opens up multiple explorations into the spatial specificity of cities crafted in the border zones between informal/formal, licit/illicit, chaotic/ordered, etc. Furthermore, in terms of over-arching knowledge projects, we perceive a productive space between: on the one hand, the imperative to respond to and engage with the dismissal of blackness/blackhood by a stream of postcolonial philosophy - a move we suspect may be too soon and too definitive - and, on the other, the insistence of dominant discourses and institutions that some essentialist African exceptionalism and solidarity is possible. However, the idea is not to dwell here but simply to use the idea of materially and symbolically grounded practices to explore the public and popular cultural dimensions of pan-African cityness. Throughout, the critical focus will invariably fall on practices, phenomenologies and spatialities and their intersections. Naturally, flowing from this exploratory vantage point, the African Cities Reader will be open to multiple genres (literature, philosophy, faction, reportage, ethnographic narrative, etc), forms of representation (text, image, sound and possibly performance), and points of view. The African Cities Reader will seek to embody and reflect the rich pluralism, cosmopolitanism and diversity of emergent urbanisms across Africa. Thus, the Reader invites and undertake to commission writing and art by practitioners, academics, activists and artists from diverse fields across Africa in all of her expansiveness. For further information contact: The Editors africancitiesreader [ at ] chimurenga [ dot ] co [ dot ] za tel: +27 (0) 21 422 4168 cell: +27 (0) 72 239 5945 www.chimurenga.co.zastatus: publishe