The Women of the Bauhaus Weaving Workshop: Anni Albers\u27 and Gunta Stölzl\u27s Impact

This thesis discusses two female weavers, Gunta Stölzl and Anni Albers, and their critical works from 1920-1935 that shaped Bauhaus weaving and the artistic significance of the medium. Over the course of three chapters, the thesis discusses Stölzl\u27s shift from pictorial to material interests, Albers\u27 themes of mass production and industry, and the women\u27s post Bauhaus years which involved Stölzl blending work and art and Albers expanding the capabilities and fine art presence of textile