‘I don’t want to sound like just one person’ : individuality in competitive fiddling

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The God-Camera of Theology and Memory in Terrence Malick’s The Tree of Life

Terrence Malick’s film The Tree of Life presents a personal and emotionally-laden memory play that is visually and symbolically “framed” by theological and biblical contexts that are both explicit and implicit. This paper explores how the film’s constantly moving camera and elliptical editing help to establish a trope for depicting how God moves in the lives of the characters. Through non-traditional film production and presentation techniques, Malick manifests a theme of “God as ultimate artist” who participates with us in the restoration of what is broken, and who makes “all things new”

'If you want to win, you’ve got to play it like a man’ : music, gender, and value in Ontario fiddle contests

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Step dancing to hip hop? Reconsidering the interrelationship between music and dance in the Ottawa Valley step dancing community

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Emily in Plato\u27s Cave

Poetry Contest, First Plac