What is 'Jewish' about Jewish art? Art and identity on late ancient sarcophagi from Rome

A paper delivered at in the 2017 Colloquia of the Metropolitan Museum of Art. Considers how a group of sarcophagi from the Jewish catacombs of Rome reflect on the subject of Jewish art and Jewish patrons in Late Antiquity

Jews, Greeks and Romans: Being Jewish in the Classical World

What did it mean to 'be Jewish' in the Greco-Roman world? Jews, Greeks and Romans will explore the myriad ways that Jewish communities across the Mediterranean engaged with Greco-Roman culture and constructed their own ways of being Jewish. Using texts, artifacts and images--from rabbinic commentaries to Roman catacombs--we will investigate cross-cultural dialogue and interaction with local, non-Jewish neighbors throughout the classical world

Remembering the Righteous: Sarcophagus Sculpture and Jewish Patrons in the Roman World (Full Text)

A Ph.D. dissertation considering nearly 200 sarcophagi from the late ancient necropoleis of Jewish communities at Beth She'arim and Rome. This corpus captures a wide range of the possibilities open to Jewish patrons as they went about acquiring or commissioning a sarcophagus and sculptural program. The variety reflects not only the different geographic and cultural realities of diaspora and home, but also the immense diversity characteristic of the myriad visual and cultural resources of the Roman world. In order to make sense of this diversity, I contextualize the styles and motifs favored by Jewish patrons according to the cultural resources they engage, moving from local traditions of stone sculpture in Palestine (Chapter 3) to the influence of Roman portrait sculpture on Jewish patrons (Chapter 7)

Remembering the Righteous: Sarcophagus Sculpture and Jewish Patrons in the Roman World (Front-matter + Conclusions)

Front-matter and conclusions to my Ph.D. Dissertation (2017). The project considers nearly 200 sarcophagi from the late ancient necropoleis of Jewish communities at Beth She'arim and Rome. This corpus captures a wide range of the possibilities open to Jewish patrons as they went about acquiring or commissioning a sarcophagus and sculptural program. The variety reflects not only the different geographic and cultural realities of diaspora and home, but also the immense diversity characteristic of the myriad visual and cultural resources of the Roman world. In order to make sense of this diversity, I contextualize the styles and motifs favored by Jewish patrons according to the cultural resources they engage, moving from local traditions of stone sculpture in Palestine (Chapter 3) to the influence of Roman portrait sculpture on Jewish patrons (Chapter 7)