The Figure of the Musician in German Literature

This survey of the literary treatment of musicians in German novels and novellas begins with the Romantics and ends with the publication of Thomas Mann's "Doktor Faustus". Schoolfield explores the work of a large selection of writers, including Hoffmann, Tieck, Kleist, Brentano, Grillparzer, Werfel and Hesse among many others. Through these works he tracks the progression of the figure of the musician as professional, artist, genius, composer, and pedagogue and how the pursuit of their art is interpreted by major literary movements

The German Lyric of the Baroque in English Translation

Here are verse translations, with original texts on facing pages, of representative lyrics by ninety-nine poets of the German Baroque. At its original publication, this volume by Schoolfield presented many of the poets to an English-speaking audience for the first time. An extensive introduction discusses the Baroque culture of the German-language realm and brief biographies of the poets conclude the volume

Rilke’s Last Year

Bibliography: p. 48-51. "The Henry Sagan Rilke collection": p. [53]-73

Studies in the German Drama: A Festschrift in Honor of Walter Silz

Sixteen of his former colleagues and students join in this volume in honoring Walter Silz. Concentrating on a single theme—the German drama—this volume contains essays and interpretations of plays ranging from Hrotsvit von Gandersheim to Bertolt Brecht. Eight of the sixteen essays deal with dramas from the area of Silz's main concentration—the nineteenth century. Also included are a tribute to Silz and a bibliography of his writings

Literary Culture in the Holy Roman Empire, 1555-1720

These essays discuss approaches to early modern literature in central Europe, focusing on four pivotal areas: connections between humanism and the new scientific thought the relationship of late sixteenth- and early seventeenth-century literature to ancient and Renaissance European traditions the social and political context of early modern writing and the poets' self-consciousness about their work. As a whole, the volume argues that early modern writing in central Europe should not be viewed solely as literature but as the textual product of specific social, political, educational, religious, and economic circumstances. The contributors are Judith P. Aikin, Barbara Becker-Cantarino, Thomas W. Best, Dieter Breuer, Barton W. Browning, Gerald Gillespie, Anthony Grafton, Gerhart Hoffmeister, Uwe-K. Ketelsen, Joseph Leighton, Ulrich Maché, Michael M. Metzger, James A. Parente, Jr., Richard Erich Schade, George C. Schoolfield, Peter Skrine, and Ferdinand van Ingen

The Figure of the Musician in German Literature

This survey of the literary treatment of musicians in German novels and novellas begins with the Romantics and ends with the publication of Thomas Mann's "Doktor Faustus". Schoolfield explores the work of a large selection of writers, including Hoffmann, Tieck, Kleist, Brentano, Grillparzer, Werfel and Hesse among many others. Through these works he tracks the progression of the figure of the musician as professional, artist, genius, composer, and pedagogue and how the pursuit of their art is interpreted by major literary movements

The German Lyric of the Baroque in English Translation

Here are verse translations, with original texts on facing pages, of representative lyrics by ninety-nine poets of the German Baroque. At its original publication, this volume by Schoolfield presented many of the poets to an English-speaking audience for the first time. An extensive introduction discusses the Baroque culture of the German-language realm and brief biographies of the poets conclude the volume

The German Lyric of the Baroque in English Translation

Here are verse translations, with original texts on facing pages, of representative lyrics by ninety-nine poets of the German Baroque. At its original publication, this volume by Schoolfield presented many of the poets to an English-speaking audience for the first time. An extensive introduction discusses the Baroque culture of the German-language realm and brief biographies of the poets conclude the volume

The Figure of the Musician in German Literature

This survey of the literary treatment of musicians in German novels and novellas begins with the Romantics and ends with the publication of Thomas Mann's "Doktor Faustus". Schoolfield explores the work of a large selection of writers, including Hoffmann, Tieck, Kleist, Brentano, Grillparzer, Werfel and Hesse among many others. Through these works he tracks the progression of the figure of the musician as professional, artist, genius, composer, and pedagogue and how the pursuit of their art is interpreted by major literary movements