No Escape

The initial idea for the film came from an inspiring performance of Chaplin's Easy Street (1917) accompanied by Donald MacKenzie, resident organist at the Odeon Leicester Square, which led me into researches of early cinema (c1895-1907), a period described by Tom Gunning as the ‘cinema of attractions’. James Lastra points out that during this time competition between cinemas was based on the success of various sound strategies all emphasising the ‘liveness’ of the film experience and films were made to motivate particular types of sound accompaniment. Particularly intriguing was the use of live sound effects performed by a skilled troupe from behind the film screen to produce ‘realistic’ sound effects. This is translated in No Escape into the manipulation of on-screen diegetic sound, also inspired by Pierre Schaeffer's musique concrète and his notions of the sound object and reduced listening. The interaction between the live piano and the onscreen sound is crucial to No Escape as is that of the piano and images, which exist alone together for long stretches. The visual content and structure of the film draws on the city symphonies of Walter Ruttman and especially Dziga Vertov whose formal experimentation, startling juxtaposition of images and very rapid editing is important to No Escape’s non-narrative and at times complex montage of British rural and urban vistas. Vertov’s Man with a Movie Camera (1929) is by and partially about the man with the camera as is No Escape, the title of which refers to the idea that though we may travel to get away from something, there is no escape from the inner life. This is represented by the piano music, which varies but within fairly restricted limits. It does respond or drive image choice and editing but the overall sense should be that one cannot escape and these responses are temporary and fleeting Extrapolating from Tom Gunning's cinema of attractions, James Beattie's concept of ‘documentary display’ - a poetic, sensual and subjective approach which encourages listening and looking rather than cognitive understanding - underpins the aesthetic of No Escape, as is a belief in the supremacy of sound and of film as a performative event

Fractional topological phase for entangled qudits

We investigate the topological structure of entangled qudits under unitary local operations. Different sectors are identified in the evolution, and their geometrical and topological aspects are analyzed. The geometric phase is explicitly calculated in terms of the concurrence. As a main result, we predict a fractional topological phase for cyclic evolutions in the multiply connected space of maximally entangled states.Comment: REVTex, 4 page

Density Perturbations in the Ekpyrotic Scenario

We study the generation of density perturbations in the ekpyrotic scenario for the early universe, including gravitational backreaction. We expose interesting subtleties that apply to both inflationary and ekpyrotic models. Our analysis includes a detailed proposal of how the perturbations generated in a contracting phase may be matched across a `bounce' to those in an expanding hot big bang phase. For the physical conditions relevant to the ekpyrotic scenario, we re-obtain our earlier result of a nearly scale-invariant spectrum of energy density perturbations. We find that the perturbation amplitude is typically small, as desired to match observation.Comment: 36 pages, compressed and RevTex file, one postscript figure file. Minor typographical and numerical errors corrected, discussion added. This version to appear in Physical Review

Nonlinear Interferometry via Fock State Projection

We use a photon-number resolving detector to monitor the photon number distribution of the output of an interferometer, as a function of phase delay. As inputs we use coherent states with mean photon number up to seven. The postselection of a specific Fock (photon-number) state effectively induces high-order optical non-linearities. Following a scheme by Bentley and Boyd [S.J. Bentley and R.W. Boyd, Optics Express 12, 5735 (2004)] we explore this effect to demonstrate interference patterns a factor of five smaller than the Rayleigh limit.Comment: 4 pages, 5 figure

Expression of microRNAs in HPV negative tonsil cancers and their regulation of PDCD4

© 2016. Global rates of tonsil cancer have been increasing since the turn of the millennia, however we still have a limited understanding of the genes and pathways which control this disease. This array dataset which is linked to our publication (Zhang et al., 2015) describes the profiling of human miRNAs in tonsil and normal adjacent tissues. With this dataset, we identified a list of microRNA (miRNA) which were highly over represented in tonsil cancers and showed that several miRNAs were able to regulate the tumour suppressor PDCD4 in a temporal manner. The dataset has been deposited into Gene Expression Omnibus (GSE75630)