The recognizability and consequentiality of mistakes: Some notes on the article by Klemp et al.

In a documentary called Attrazione D’amore, the cinematographer Frank Scheffer provides footage from a lunch concert at Amsterdam’s Royal Concertgebouw. When the orchestra starts to play Mozart’s Piano Concerto No. 20 in D minor, it becomes apparent that the renowned pianist Maria João Pires had made a mistake. As the director of the concert, Riccardo Chailly, recounts in the film: “She was shocked because she was expecting us to play another concerto. So when I started the first bar of the D..

Textbook of endodontology

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Textbook of endodontology

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