Context-related acoustic variation in male fallow deer (Dama dama) groans

While social and behavioural contexts are known to affect the acoustic structure of vocal signals in several mammal species, few studies have investigated context-related acoustic variation during inter-sexual advertisement and/or intra-sexual competition. Here we recorded male fallow deer groans during the breeding season and investigated how key acoustic parameters (fundamental frequency and formant frequencies) vary as a function of the social context in which they are produced. We found that in the presence of females, male fallow deer produced groans with higher mean fundamental frequency when vocal males were also present than they did when no vocal males were in close vicinity. We attribute this to the increased arousal state typically associated with this context. In addition, groan minimum formant frequency spacing was slightly, but significantly lower (indicating marginally more extended vocal tracts) when males were alone than when potential mates and/or competitors were nearby. This indicates that, contrary to our predictions, male fallow deer do not exaggerate the acoustic impression of their body size by further lowering their formant frequencies in the presence of potential mating partners and competitors. Furthermore, since the magnitude of the variation in groan minimum formant frequency spacing remains small compared to documented inter-individual differences, our findings are consistent with the hypothesis that formants are reliable static cues to body size during intra- and inter-sexual advertisement that do not concurrently encode dynamic motivation-related informatio

Is nonlinear propagation responsible for the brassiness of elephant trumpet calls?

African elephants (Loxodonta africana) produce a broad diversity of sounds ranging from infrasonic rumbles to much higher frequency trumpets. Trumpet calls are very loud voiced signals given by highly aroused elephants, and appear to be produced by a forceful expulsion of air through the trunk. Some trumpet calls have a very distinctive quality that is unique in the animal kingdom, but resemble the "brassy" sounds that can be produced with brass musical instruments such as trumpets or trombones. Brassy musical sounds are characterised by a flat spectral slope caused by the nonlinear propagation of the source wave as it travels through the long bore of the instrument. The extent of this phenomenon, which normally occurs at high intensity levels (e.g. fortissimo), depends on the fundamental frequency (F0) of the source as well as on the length of the resonating tube. Interestingly, the length of the vocal tract of the elephant (as measured from the vocal folds to the end of the trunk) approximates the critical length for shockwave formation, given the fundamental frequency and intensity of trumpet calls. We suggest that this phenomenon could explain the unique, distinctive brassy quality of elephant trumpet calls

Control of voice gender in pre-pubertal children

Adult listeners are capable of identifying the gender of speakers as young as 4 years old from their voice. In the absence of a clear anatomical dimorphism in the dimensions of pre-pubertal boys' and girls' vocal apparatus, the observed gender differences may reflect children's regulation of their vocal behaviour. A detailed acoustic analysis was conducted of the utterances of 34 6- to 9-year-old children, in their normal voices and also when asked explicitly to speak like a boy or a girl. Results showed statistically significant shifts in fundamental and formant frequency values towards those expected from the sex dimorphism in adult voices. Directions for future research on the role of vocal behaviours in pre-pubertal children's expression of gender are considered

A single trapped ion in a finite range trap

This paper presents a method to describe dynamics of an ion confined in a realistic finite range trap. We model this realistic potential with a solvable one and we obtain dynamical variables (raising and lowering operators) of this potential. We consider coherent interaction of this confined ion in a finite range trap and we show that its center-of-mass motion steady state is a special kind of nonlinear coherent states. Physical properties of this state and their dependence on the finite range of potential are studied

Roaring high and low: composition and possible functions of the Iberian stag's vocal repertoire

We provide a detailed description of the rutting vocalisations of free-ranging male Iberian deer (Cervus elaphus hispanicus, Hilzheimer 1909), a geographically isolated and morphologically differentiated subspecies of red deer Cervus elaphus. We combine spectrographic examinations, spectral analyses and automated classifications to identify different call types, and compare the composition of the vocal repertoire with that of other red deer subspecies. Iberian stags give bouts of roars (and more rarely, short series of barks) that are typically composed of two different types of calls. Long Common Roars are mostly given at the beginning or at the end of the bout, and are characterised by a high fundamental frequency (F0) resulting in poorly defined formant frequencies but a relatively high amplitude. In contrast, Short Common Roars are typically given in the middle or at the end of the bout, and are characterised by a lower F0 resulting in relatively well defined vocal tract resonances, but low amplitude. While we did not identify entirely Harsh Roars (as described in the Scottish red deer subspecies (Cervus elaphus scoticus), a small percentage of Long Common Roars contained segments of deterministic chaos. We suggest that the evolution of two clearly distinct types of Common Roars may reflect divergent selection pressures favouring either vocal efficiency in high pitched roars or the communication of body size in low-pitched, high spectral density roars highlighting vocal tract resonances. The clear divergence of the Iberian red deer vocal repertoire from those of other documented European red deer populations reinforces the status of this geographical variant as a distinct subspecies

Women’s voice pitch lowers after pregnancy

Women’s voice pitch (the perceptual correlate of fundamental frequency, F0) varies across the menstrual cycle and lowers after menopause, and may represent a putative signal of women’s fertility and reproductive age. Yet, despite dramatic changes in women’s sex hormone levels and bodies during and after pregnancy, previous between-subject and case studies have not found systematic changes in F0 due to pregnancy. Here, we tracked within-individual variation in 20 mothers’ voices during their first pregnancy, as well as up to 5 years before conception and 5 years postpartum. Voice recordings from 20 age-matched nulliparous women were measured as a control. Linear Mixed Models indicated that F0 mean, range and variation changed significantly following pregnancy in mothers, controlling for age at time of recording, whereas we did not observe any F0 changes across corresponding timeframes in our sample of nulliparous controls. Mothers’ voices became significantly lower-pitched and more monotonous during the first year postpartum compared to during pregnancy or before. These F0 parameters did not decrease within-individuals over a 5-year period prior to conception above and beyond the effects of ageing. Although voice pitch decreased following pregnancy, mothers’ F0 parameters reverted after the first year postpartum, approaching pre-pregnancy levels. Our results demonstrate that pregnancy has a transient and perceptually salient masculinizing effect on women’s voices

No preference in female sika deer for conspecific over heterospecific male sexual calls in a mate choice context

Mating signals can be used both in contexts of species recognition and mate quality assessment. This study examines species recognition abilities in oestrous females presented with male mating calls from both conspecifics and closely related allopatric heterospecifics. Red deer and sika deer are naturally allopatric polygynous species capable of hybridization during sympatry. Male mating calls are sexually selected and differ greatly between species. Previous work indicated that most but not all oestrous red deer hinds prefer male mating calls from conspecifics over heterospecific sika deer. Using two-speaker playback experiments, we extend this examination by measuring the preference responses of oestrous sika deer hinds to these stimuli. We predicted that oestrous sika deer hinds will show little flexibility in behavioural responses and prefer conspecific calls over heterospecific calls, similar to those of red deer hinds. In contrast, sika deer hinds showed high levels of flexibility and no difference in overall preference behaviours, suggesting that vocal behaviour does not provide a solid barrier to hybridization in this species. The asymmetry in heterospecific preference responses between these species is discussed in relation to possible causation and hybridization patterns observed in free-ranging populations

Estimating the active space of male koala bellows: propagation of cues to size and identity in a Eucalyptus forest

Examining how increasing distance affects the information content of vocal signals is fundamental for determining the active space of a given species’ vocal communication system. In the current study we played back male koala bellows in a Eucalyptus forest to determine the extent that individual classification of male koala bellows becomes less accurate over distance, and also to quantify how individually distinctive acoustic features of bellows and size-related information degrade over distance. Our results show that the formant frequencies of bellows derived from Linear Predictive Coding can be used to classify calls to male koalas over distances of 1–50 m. Further analysis revealed that the upper formant frequencies and formant frequency spacing were the most stable acoustic features of male bellows as they propagated through the Eucalyptus canopy. Taken together these findings suggest that koalas could recognise known individuals at distances of up to 50 m and indicate that they should attend to variation in the upper formant frequencies and formant frequency spacing when assessing the identity of callers. Furthermore, since the formant frequency spacing is also a cue to male body size in this species and its variation over distance remained very low compared to documented inter-individual variation, we suggest that male koalas would still be reliably classified as small, medium or large by receivers at distances of up to 150 m

Vocal communication of simulated pain

While evidence suggests that pain cries produced by human babies and other mammal infants communicate acoustic cues to pain intensity, whether the pain vocalisations of human adults also encode pain intensity, and which acoustic characteristics influence listeners’ perceptions, remains unexplored. Here, we investigated how trained actors communicated pain by comparing the acoustic characteristics of nonverbal vocalisations expressing different levels of pain intensity (mild, moderate, and severe). We then performed playback experiments to examine whether vocalisers successfully communicated pain intensity to listeners, and which acoustic characteristics were responsible for variation in pain ratings. We found that the mean and range of voice fundamental frequency (F0, perceived as pitch), the amplitude of the vocalisation, the degree of periodicity of the vocalisation, and the proportion of the signal displaying nonlinear phenomena all increased with the level of simulated pain intensity. In turn, these parameters predicted increases in listeners’ ratings of pain intensity. We also found that while different voice features contributed to increases in pain ratings within each level of expressed pain, a combination of these features explained an impressive amount of the variance in listeners’ pain ratings, both across (76%) and within (31-54%) pain levels. Our results show that adult vocalisers can volitionally simulate and modulate pain vocalisations to influence listeners’ perceptions of pain in a manner consistent with authentic human infant and nonhuman mammal pain vocalisations, and highlight potential for the development of a practical quantitative tool to improve pain assessment in populations unable to self-report their subjective pain experience

What makes a voice masculine: physiological and acoustical correlates of women's ratings of men's vocal masculinity

Men's voices contain acoustic cues to body size and hormonal status, which have been found to affect women's ratings of speaker size, masculinity and attractiveness. However, the extent to which these voice parameters mediate the relationship between speakers' fitness-related features and listener's judgments of their masculinity has not yet been investigated. We audio-recorded 37 adult heterosexual males performing a range of speech tasks and asked 20 adult heterosexual female listeners to rate speakers' masculinity on the basis of their voices only. We then used a two-level (speaker within listener) path analysis to examine the relationships between the physiological (testosterone, height), acoustic (fundamental frequency or F0, and resonances or ΔF) and perceptual dimensions (listeners' ratings) of speakers' masculinity. Overall, results revealed that male speakers who were taller and had higher salivary testosterone levels also had lower F0 and ΔF, and were in turn rated as more masculine. The relationship between testosterone and perceived masculinity was essentially mediated by F0, while that of height and perceived masculinity was partially mediated by both F0 and ΔF. These observations confirm that women listeners attend to sexually dimorphic voice cues to assess the masculinity of unseen male speakers. In turn, variation in these voice features correlate with speakers' variation in stature and hormonal status, highlighting the interdependence of these physiological, acoustic and perceptual dimensions