13 research outputs found

    The Diasporic Connotations of Collage: Loïs Mailou Jones in Haiti, 1954–1964

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    Morphoelasticity: The mechanics and mathematics of elastic growth

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    Growth plays a key role in many fundamental biological processes. In many cylindrical structures in biology, residual stress fields are created through differential growth. We present a general formulation of growth for a three-dimensional nonlinear elastic body and apply it to specific geometries relevant in many physiological and biological systems. The goal of this work is to study the development of residual stress induced by differential growth of biological cylindrical structures and elucidate its possible mechanical role in modifying material properties. As a tissue grows, it is not only subject to stresses but it also develops stresses by itself. These stresses play an important role in the evolution and regulation of growth, both in physiological and pathological conditions. We explore the interplay between growth and stress and the time evolution it generates. In particular, we show that in the case of spatially homogeneous growth, a general form of time evolution can be obtained leading to a dynamical system coupling the growth and stresses. The effect of tissue tension on the stability is studied through an analysis of the buckling properties of residually stressed cylindrical tubes. The general method to study stability is through a perturbation expansion in which an incremental deformation is superimposed on some finite deformation. If a solution is found to the incremental equation with the appropriate boundary conditions, then the possibility of instability exists. This method allows us to understand how residual stresses affect the overall stability of the system in the context of plant stem rigidity and arterial buckling. Lastly, we study the problem of elastic cavitation, the opening of a void in elastic materials. For a particular class of materials, the existence of a bifurcated solution has been shown in which a sphere supports the trivial spherical solution and a cavitated solution with spherical symmetry whose cavity radius vanishes at some critical external pressure. It naturally leads to interesting questions regarding the opening of cavities in residually stressed systems. We show that residual stresses induced by differential growth can induce cavitation and it can also play an important role in microvoid opening

    Lois Mailou Jones, Diasporic Art Practice, and Africa in the 20th Century

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    <p>This dissertation, Loïs Mailou Jones, Diasporic Art Practice, and Africa in the 20th Century, investigates the evolving dialogue between twentieth-century African-American artists and Africa--its objects, peoples, diasporas, and topography. The four chapters follow the career of artist Loïs Mailou Jones (1905-1998) and focus on periods when ideas about blackness in an African-American context and its connection to Africa were at the forefront of artistic and cultural discourses. Chapter 1 traces African-American artists contact with African art during the first decades of the twentieth century. Chapter 2 examines Jones's use of Africa in her art produced at the start of her career (1920s -1940s) and repositions her in relation to the Harlem Renaissance and Négritude movements. Chapter 3 considers Jones's engagements with the African Diaspora via travels to France, the Caribbean, and Africa in the 1960s and 1970s, voyages that I argue result in the creation of a Black Diasporic art practice predicated upon the act of viewing. Chapter 4 critiques the signifying grasp of Africa in African American art. By looking at Jones's turn to pastiche as an aesthetic choice and cultural commentary, the chapter argues that that the possibility of a seamless reconciliation of Africa in African American art is impossible. Where the limited scholarly discourse on the subject has emphasized a heritage-based relationship between Black artists and Africa, this project's cross-cultural approach is one of the first to consider the relationship between Africa and Black artists that goes beyond looking for African retentions in African American culture. In doing so the project also suggests an alternative to the internationalization of American artists in African, rather than European terms. Moreover, though Jones is broadly cited within African American art history beyond monographic considerations her work has yet to be critically examined particularly in regards to larger debates concerning blackness and the African Diaspora.</p>Dissertatio
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