12 research outputs found

    Dual Monte Carlo and Cluster Algorithms

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    We discuss the development of cluster algorithms from the viewpoint of probability theory and not from the usual viewpoint of a particular model. By using the perspective of probability theory, we detail the nature of a cluster algorithm, make explicit the assumptions embodied in all clusters of which we are aware, and define the construction of free cluster algorithms. We also illustrate these procedures by rederiving the Swendsen-Wang algorithm, presenting the details of the loop algorithm for a worldline simulation of a quantum S=S= 1/2 model, and proposing a free cluster version of the Swendsen-Wang replica method for the random Ising model. How the principle of maximum entropy might be used to aid the construction of cluster algorithms is also discussed.Comment: 25 pages, 4 figures, to appear in Phys.Rev.

    Potts Flux Tube Model at Nonzero Chemical Potential

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    We model the deconfinement phase transition in quantum chromodynamics at nonzero baryon number density and large quark mass by extending the flux tube model (three-state, three-dimensional Potts model) to nonzero chemical potential. In a direct numerical simulation we confirm mean-field-theory predictions that the deconfinement transition does not occur in a baryon-rich environment.Comment: 14 pp RevTeX, 10 Postscript figures, submitted to Phys. Rev D. (Corrected some typographical errors.

    Researching the social impact of the arts : literature, fiction and the novel

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    This paper offers a contribution to current debates in the field of cultural policy about the social impact of the arts. It explores the conceptual difficulties that arise in the notion of ‘the arts’ and the implications of these difficulties for attempts to generalise about their value, function and impact. It considers both ‘essentialist’ and ‘institutional’ perspectives, first on ‘the arts’ in toto and then on literature, fiction and the novel with the view of making an innovative intellectual connection between aesthetic theories and contemporary cultural policy discourse. The paper shows how literature sits uneasily in the main systems of classifying the arts and how the novel and fiction itself are seen as problematic categories. The position of the novel in the literary canon is also discussed, with particular reference to the shifting instability of the canon. The paper suggests that the dilemmas thrown up in trying to define or classify the novel are likely to be encountered in attempting to define other art forms. The implications of these findings for the interpretation and conduct of traditional ‘impact studies’ are explored
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