Thresholds and Tortoises: Modernist Animality in Pirandello's Fiction

The present study provides a posthumanist reading of Pirandello’s fiction, with the aim of highlighting the author’s specifically modernist take on animality. The first half of the chapter illustrates Pirandello’s awareness of a zoological continuum encompassing human and nonhuman beings; particular emphasis is placed on his innovative dialogue with the nineteenth-century tradition (Balzac), as well as on the typically modernist aspects of his posthumanist gaze – e.g. the sense of a “cosmic” detachment from human events, and the strategic use of thresholds (openings and epilogues) to undermine the anthropocentrism inherent to traditional narrative forms. The second half focuses on a specific case study, i.e. the role assigned to the tortoise in the short stories “Paura d’esser felice” and “La tartaruga”. In both texts, the protagonist’s “becoming-tortoise” (Deleuze and Guattari) is instrumental to Pirandello’s modernist critique of anthropocentrism

A new approach to social behavior simulation: the mask model

This paper proposes a new perspective, based on the concept of social masks, for the simulation of a realistic NPC (Non-Player Character) behavior. The Mask Model goal is to support AI techniques for autonomous agents by encouraging or discouraging behaviors according to the social environment and by providing knowledge about possible reactions to the agent actions. In this approach, the NPC tendencies are controlled by the interactions of three overlapping mask layers: self- perception layer, social layer and interpersonal layer. The masks mould the tendencies, the feelings and the ethics of a NPC. By changing the links between characters and masks, a wide variety of different behaviors and story-lines may arise. The paper present an algorithm for the selection of the actions and an example implementation

The forms of repetition in social and environmental reports: insights from Hume's notion of ?impressions?

This paper focuses on the use of repetition, both in narrative and visual forms, in social and environmental reports. It investigates the forms of repetition as a rhetorical device adopted by the preparer of a social and environmental report in helping the process of knowledge acquisition, as outlined by Hume (1739). Drawing from Hume?s (1739) philosophical idea of an ?impression?, and the work of Davison (2014a) we classify repetitions into ?identical?, ?similar? and ?accumulated? forms. It is argued that the rationale for distinguishing between the different forms of repetition can be linked to their different potential or intensity in acting on different stimuli with a view to enhance learning. The empirical element of this study is based on the stand-alone social and environmental reports of a sample of 86 cooperative banks in Northern Italy; the analysis of these reports indicates that repetition is widespread and that cooperative banks use all forms of repetition, albeit to a varying extent within the different reported themes. The paper contributes to the literature by offering an alternative interpretation of repetition using an interdisciplinary perspective and by providing new insights on social and environmental reporting practices in the cooperative banking sector