A World Inscribed – Introduction

In 1900 or thereabouts, Lorina Bulwer, an inmate of the Great Yarmouth workhouse in the east of England, produced a remarkable and extremely long letter. It was embroidered on samples of different kinds of material which she had sewn together to form a scroll of multicoloured cloth, five metres long (Image 1.1). On her sampler scroll, Lorina stitched a rambling autobiography in which she spat out her anger at being confined to the workhouse, and more specifically to its female lunatic ward. She asserted her identity frequently, repeated her name many times and declared that she was free. Lorina Bulwer’s sampler reminds us of the importance of writing at all levels of society, for both intimate and public purposes as well as in the process of identity formation. It also demonstrates that writing is ubiquitous, and often uses unexpected materials and unorthodox technologies. In this book, we examine the importance of writing at different social levels in a range of historical contexts across the world. As in the case of Lorina Bulwer, the discussion will take account of writing’s institutional frameworks, its personal expressions and the range of material support it has adopted in past societies.info:eu-repo/semantics/publishedVersio

An assessment of multimodal imaging of subsurface text in mummy cartonnage using surrogate papyrus phantoms

Ancient Egyptian mummies were often covered with an outer casing, panels and masks made from cartonnage: a lightweight material made from linen, plaster, and recycled papyrus held together with adhesive. Egyptologists, papyrologists, and historians aim to recover and read extant text on the papyrus contained within cartonnage layers, but some methods, such as dissolving mummy casings, are destructive. The use of an advanced range of different imaging modalities was investigated to test the feasibility of non-destructive approaches applied to multi-layered papyrus found in ancient Egyptian mummy cartonnage. Eight different techniques were compared by imaging four synthetic phantoms designed to provide robust, well-understood, yet relevant sample standards using modern papyrus and replica inks. The techniques include optical (multispectral imaging with reflection and transillumination, and optical coherence tomography), X-ray (X-ray fluorescence imaging, X-ray fluorescence spectroscopy, X-ray micro computed tomography and phase contrast X-ray) and terahertz-based approaches. Optical imaging techniques were able to detect inks on all four phantoms, but were unable to significantly penetrate papyrus. X-ray-based techniques were sensitive to iron-based inks with excellent penetration but were not able to detect carbon-based inks. However, using terahertz imaging, it was possible to detect carbon-based inks with good penetration but with less sensitivity to iron-based inks. The phantoms allowed reliable and repeatable tests to be made at multiple sites on three continents. The tests demonstrated that each imaging modality needs to be optimised for this particular application: it is, in general, not sufficient to repurpose an existing device without modification. Furthermore, it is likely that no single imaging technique will to be able to robustly detect and enable the reading of text within ancient Egyptian mummy cartonnage. However, by carefully selecting, optimising and combining techniques, text contained within these fragile and rare artefacts may eventually be open to non-destructive imaging, identification, and interpretation