TRIS I: Absolute Measurements of the Sky Brightness Temperature at 0.6, 0.82 and 2.5 GHz

At frequencies close to 1 GHz the sky diffuse radiation is a superposition of radiation of Galactic origin, the 3 K Relic or Cosmic Microwave Background Radiation, and the signal produced by unresolved extragalactic sources. Because of their different origin and space distribution the relative importance of the three components varies with frequency and depends on the direction of observation. With the aim of disentangling the components we built TRIS, a system of three radiometers, and studied the temperature of the sky at $\nu =0.6$, $\nu = 0.82$ and $\nu = 2.5$ GHz using geometrically scaled antennas with identical beams (HPBW = $18^{\circ} \times 23^{\circ}$). Observations included drift scans along a circle at constant declination $\delta=+42^{\circ}$ which provided the dependence of the sky signal on the Right Ascension, and absolute measurement of the sky temperature at selected points along the same scan circle. TRIS was installed at Campo Imperatore (lat. = $42^{\circ}~26'$ N, long.= $13^{\circ}~33'$, elevation = 2000 m a.s.l.) in Central Italy, close to the Gran Sasso Laboratory.Comment: Accepted for publication in The Astrophysical Journa

The unseen water: Experimentation with scientific photomicrography and creative coding

This research involves aesthetic approaches to scientific photomicrography. Specifically, this project investigates the reinterpretation of photomicrographic images of micro-scale drops of water made by a Scanning Electron Microscope (SEM), a tool that has expanded the boundaries of observation and representation of the micro world since it was introduced to scientific research in the mid-1960s. I was not aiming to produce scientific records through my use of the SEM; instead, like several artists before me, I used scientific photography methods to create aesthetic images. By exploring the interplay between the indexical and iconic modalities in the process of creating photomicrographs, I seek to imbue them with new meanings and re-appropriate scientific photography as a creative practice and a source of science communication to the general public. Building on the fact that scientific and digital tools have brought new ways of seeing the world, my artistic application of them seeks to extend our perception. This paper provides an explanation of the production of interactive artworks for my project. In these works, viewers are encouraged to engage with photomicrographs of water through touch and movement, which resembles human interaction with water