26 research outputs found
Post-Truth Simulacra: Inviting Mutable Meaning-Making
âPost-Truth Simulacraâ is an artwork created to confront post-truth realities and constructions of meaning in response to the articles in this journal issue. An aerial photograph of Miami is used to depict the way humanity has fully operationalized the territory of the barrier islands. Various overlays are used to think about social theorist Jean Baudrillardâs precession of simulacra. Using the lens of Baudrillard's phases of representation from a pedagogical perspective, an analysis of meaning-making processes for each of the articles is discussed. The editorial recognizes the importance of place and autoethnography in the context of Canadian curriculum studies
La Réalisation de la résilience
This special issue contains select refereed conference proposal abstracts of presentations planned for the cancelled Canadian Society for the Study of Education (CSSE) conference at Western University May 30-June 4, 2020. The abstracts represent paper presentations, round tables, symposia and panel presentations from the Canadian Association for Curriculum Studies (CACS) and CACSâ special interest groups including: the Arts Researchers and Teachers Society (ARTS), the Canadian Critical Pedagogy Association (CCPA), the Science Education Research Group (SERG), the Language and Literacy Researchers of Canada (LLRC), and the Regroupement pour lâĂ©tude de lâĂ©ducation francophone en milieu minoritaire (RĂĂFMM).Ce numĂ©ro spĂ©cial contient des rĂ©sumĂ©s des propositions de confĂ©rence arbitrĂ©es sĂ©lectionnĂ©s des prĂ©sentations prĂ©vues pour la confĂ©rence annulĂ©e de la SociĂ©tĂ© canadienne pour l'Ă©tude de l'Ă©ducation (SCĂĂ) Ă l'UniversitĂ© Western du 30 mai au 4 juin 2020. Les rĂ©sumĂ©s reprĂ©sentent des prĂ©sentations sur papier, des tables rondes, des symposiums et des prĂ©sentations de panel de l'Association canadienne pour lâĂ©tude du curriculum (ACĂC) et des groupes d'intĂ©rĂȘt spĂ©ciaux de lâACĂC, notamment : la SociĂ©tĂ© des chercheurs/chercheuses et des enseignants/enseignantes des arts (SCEA/«ARTS»), lâAssociation canadienne de la pĂ©dagogie critique (ACPC/«CCPA»), le Groupement des recherches en Ă©ducation et des sciences (GRĂS/«SERG»), lâAssociation canadienne des chercheurs en langue et littĂ©ratie (ACCLL/«LLRC») et le Regroupement pour l'Ă©tude de l'Ă©ducation francophone en milieu mineur (RĂĂFMM)
Creuser des puits, deviner un programme d'espoir face aux fidélités glissantes
Joanna Macy (2009) suggests that a shift toward a life-sustaining civilization includes reassessing values and relooking at perceptions of reality. In this editorial, the metaphor of divining is used to explain the creation of hope in the grief-filled epoque of the Chthulucene. Authors in this issue collectively ask: How do we live together? How do we see the world? How do we make meaning? How do we tell truths? How do we make a better world? Imagination is the self and the world merging and emerging, entanglements of making that challenge our commitments and obligations as researchers. As we conduct research, we are constructing new life worlds, dreaming and shaping futures. In this editorial, Iâm thinking about hope, of metaphorically digging wells, committing to the difficult work of moving through layers of barriers toward the originary whys, and knowing there are multiple truths and needs. In this process we can come to places of relation, understanding, self- and world-healing.Joanna Macy (2009) suggĂšre qu'un changement vers une civilisation qui soutient la vie comprend la rĂ©Ă©valuation des valeurs et la relecture des perceptions de la rĂ©alitĂ©. Dans cet Ă©ditorial, la mĂ©taphore de la devination sâutilise pour expliquer la crĂ©ation de l'espoir Ă l'Ă©poque remplie de chagrin du ChthulucĂšne. Les auteurs de ce numĂ©ro demandent collectivement : Comment vivons-nous ensemble? Comment voyons-nous le monde? Comment faire du sens? Comment pouvons-nous dire des vĂ©ritĂ©s? Comment crĂ©er un monde meilleur? L'imagination est le moi et le monde qui fusionnent et Ă©mergent, des enchevĂȘtrements de faire qui dĂ©fient nos engagements et nos obligations en tant que des chercheuses et des chercheurs. Alors que nous menons des recherches, nous construisons de nouveaux mondes de vie, rĂȘvons et façonnons des futurs. Dans cet Ă©ditorial, je pense Ă l'espoir, Ă creuser mĂ©taphoriquement des puits, Ă m'engager au travail difficile de franchir des couches de barriĂšres vers le pourquoi originel et Ă savoir qu'il existe de multiples vĂ©ritĂ©s et besoins. Dans ce processus, nous pouvons arriver Ă des lieux de relation, de comprĂ©hension, de guĂ©rison de soi et du monde
unFIX Me in the Red: Re/collections and Re/novations
In ruminating on authorsâ contributions in this issue, Wiebeâs 2014 video, Curricular Fixations and Poetic Tactics, is used as an anchor to consider the limitations of official and Tylerian curriculum, thought of as infrastructure. The need for reconstructing meanings, deliberating ideas, and reflecting in solitude are suggested as means to unfix ourselves from the comforts of canonized bodies of knowledge which eliminate difference and confine possibilities
Weaving Vocabularies and Counterpoint in Canadian Curriculum Studies
The focus on Canadian curriculum landscapes in this issue is imaginatively re-formed through playing with a composite digital artwork and a poem created from photographs and text taken from the current issue's submissions. The metaphor of a personal métissage through time by weaving threads from JCACS' first issue through to the current issue is used to describe the verdant terra of Canadian curriculum studies
Le sous-bois de base : un curriculum de lâinter-relationnel
This editorial is an inquiry into the curriculum of interrelation. In preparation of the articles for this issue, I was struck by the spiritual, ecological, and genealogical resonances in the complex search for meaning. My makings invite you on a thread that networks here and there in a synaptic ontological question of re-storing experience in the languages we know. Through reverence, restoration, reflection and reparation, how might we find grace in the curriculum of learning life? What is the understory of education?Cet Ă©ditorial est une enquĂȘte sur un curriculum de lâinterrelationnel. En prĂ©parant les articles de ce numĂ©ro, jâĂ©tais saisie par les rĂ©sonances spirituelles, Ă©cologiques et gĂ©nĂ©alogiques dans la recherche de signification. Je dĂ©file des questions ontologiques ici. Je demande si, par rĂ©vĂ©rence, restauration, rĂ©flexion et rĂ©paration, nous pouvons trouver de la grĂące dans le curriculum de vie. Aussi, quel est le sous-bois de lâĂ©ducation
Geração de si mesmo: catequeses na poesia
As a means to develop Canadian economic security, more attention in the last decade has been given to supporting the creative economy and building Canadian creative capacity. One of the stumbling blocks to nurturing the growth of creativity is the popular belief that creativity is innate. Research refutes this dated notion; What is lacking are explanations of strategies and pedagogical practices for researchers and learners to engage in, to enable them to begin to see themselves as creative. This paper focuses on the procedural steps and possibilities of a creative process called the Catechization Process. This work stems from the Parallaxic Praxis Model wherein investigations take place through arts-making. In this explanation, We share seven response poems created in the Catechization Process to theorize the imaginative space of producing knowledge through creative inquiry. When researchers can imagine themselves as creative and experimenting with new strategies for generating new ideas, their work will open new possibilities for understanding. Neste artigo, os autores ilustram como os sujeitos criativos podem usar um aspecto especĂfico do modelo Praxis Parallaxic da PaulineSameshima, o âProcesso de Catequizaçãoâ. Eles descrevem os passosprocessuais e as possibilidades de catequese, um processo que a Sameshima desenvolveu para promover o significado e a geração de criatividade na pesquisa. O processo beneficia sujeitos criativos em vĂĄrios campos e pode ser aplicado sempre que as investigaçÔes ocorrem por meio da criação em artes. Nesta explicação, os autores compartilham sete poemas de resposta criados no Processo de Catequização para teorizar o espaço imaginativo de produzir conhecimento por meio da investigação. Quando pesquisadores podem se imaginar como sujeitos criativos e experimentam mais estratĂ©gias para gerar novas ideias, seu trabalho abre novas possibilidades de compreensĂŁo
Engajamento acadĂȘmico atravĂ©s do fazer: uma resposta ao livro Pesquisa e Ensino baseados nas artes e nas prĂĄticas Contemplativas
This paper describes the intent, rationale, and processes of using an arts integrated contemplative research framework to review, engage, and respond to the book Arts-based Contemplative Practices in Research and Teaching (Walsh, Bickel, & Leggo, 2014). Weimagine possibilities for reviewing, responding, analyzing data, and engaging with scholarship through arts integrated contemplative, reparative models that involve metaphor and making. We offer how this review was conducted through a reparative model of âmaking loveâ as contemplative mindful research. We advocate mindfulness as a thriving practice that allows individuals to increase attentional awareness, providing a means of mediating generative and creative meaning-making within the interaction space between the self and experience.Este artigo reconstrĂłi a revisĂŁo do livro acadĂȘmico ao responder a âPesquisa e Ensino baseados nas artes e nas PrĂĄticas Contemplativasâ, editado por Walsh, Bickel e Leggo, em 2014, um texto rico e sagazmente pensado que informarĂĄ o futuro do campo simbiĂłtico das artes e prĂĄticas contemplativas no currĂculo. Os autores respondem Ă antologia atravĂ©s da Praxis Parallaxic, um modelo de pesquisa que desencadeia abordagens artĂsticas contemplativas que a equipe usou especificamente para enfrentar os desafios contemporĂąneos de tempo, atenção e conexĂŁo. O livro reestrutura as possibilidades de aprendizagem dentro do espaço interativo entre o sujeito e a experiĂȘncia e, por sua vez, ilustra o engajamento acadĂȘmico por meio da realização de uma prĂĄtica sustentĂĄvel e deliberada de açÔes contemplativas e crĂticas