Information Inequality and Network Externalities: A Comparative Study of the Diffusion of Television and the Internet

This paper sheds light on whether intergroup inequality in Internet access is likely to persist as the diffusion process continues. To what extent is a given level of inequality in technology diffusion (e.g., use of the Internet) a long-term policy challenge or a temporary inconvenience? What general factors account for group-specific patterns of technology adoption? This paper draws on notions of network externalities to help answer this question. It also presents findings from a comparative analysis of household adoption of television from 1948 to 1957 and the Internet from 1994 to 2002.

From the 'Digital Divide' to 'Digital Inequality': Studying Internet Use as Penetration Increases

The authors of this paper contend that as Internet penetration increases, students of inequality of access to the new information technologies should shift their attention from the "digital divide" - inequality between "haves" and "have-nots" differentiated by dichotomous measures of access to or use of the new technologies - to digital inequality, by which we refer not just to differences in access, but also to inequality among persons with formal access to the Internet. After reviewing data on Internet penetration, the paper describes five dimensions of digital inequality - in equipment, autonomy of use, skill, social support, and the purposes for which the technology is employed - that deserve additional attention. In each case, hypotheses are developed to guide research, with the goal of developing a testable model of the relationship between individual characteristics, dimensions of inequality, and positive outcomes of technology use. Finally, because the rapidity of organizational as well as technical change means that it is difficult to presume that current patterns of inequality will persist into the future, the authors call on students of digital inequality to study institutional issues in order to understand patterns of inequality as evolving consequences of interactions among firms' strategic choices, consumers' responses, and government policies.Digital divide, Internet, World Wide Web, computer use, social inequality

Resources for Studying Public Participation in the Arts: Inventory and Review of Available Survey Data on North Americans' Participation in and Attitudes Towards the Arts

This study contains summaries, critical reviews, and access information for 25 studies of public participation in the arts, as well as a chart enabling readers to indentify surveys that contain particular combinations of variables in which they are interested.

Studies of Artists: An Annotated Directory

This annotated directory documents more than 80 different studies of artist populations. The directory provides information about how the researcher in each study has defined the artist and identified the population. Studies are arranged by type of artist population and, within each category, by study date. Each entry indicates, in so far as possible from available materials, the study investigator, the artist population, the way in which artists were identified, sampling procedures, number of respondents and response rates, and publications based on the study. This directory should provide researchers and other interested parties with a range of definitions, identification methods, and sampling procedures currently used in studies of artists. The introduction to the directory provides a critical overview of the numerous methods for identifying and defining "artists."

Public Opinion and Political Vulnerability: Why Has the National Endowment for the Arts Been Such an Attractive Target?

Federal government arts programs appear to deviate from the rule that legislative behavior closely follows public preferences. Between the mid-1970s and the late 1980s, despite stability in public opinion, the NEA evolved from Congress’s bipartisan darling to its controversial scapegoat. We inspect 55 items from public opinion surveys and re-analyze data from 2 state and 8 national surveys undertaken between 1975 and 1996 to resolve this puzzle. Our conclusions: (1) Arts support is not a salient issue to most voters, leaving legislators relatively unconstrained. (2) Positive responses to general questions about arts funding often mask complex, ambivalent views. (3) The core constituency for federal arts support – college graduates – is difficult to mobilize because their interest in the arts is balanced by skepticism about federal government programs. (4) Opponents of arts spending successfully built on ties to Christian conservative and Republican loyalists to mobilize the stable minorities opposed to the NEA. As a result, arts politics in the U.S. has consisted of a standoff between a committed minority of 15 to 20 percent of the public that strongly opposes federal support for the arts and a weakly committed majority of about 60 percent that favors the federal role.

Public Opinion and Political Vulnerability: Why Has the National Endowment for the Arts Been Such an Attractive Target?

Analyzes public opinion surveys, undertaken between 1975 and 1996, to resolve the puzzle of federal government arts programs appearing to deviate from the rule that legislative behavior closely follows public preferences

The Role of Religion in Public Conflicts over the Arts in the Philadelphia Area, 1965-1997

How would we characterize the relationship between religion and the arts in the Philadelphia area between 1965 and 1997? The late 1980s and early 1990s in Philadelphia followed a decade that was unusually free of contention between religion and the arts. In comparison to the 1970s and early 1980s, religious participation in cultural conflict was not particularly high during the "culture-war" era. However, religious discourse as opposed to participation did play a role in more controversies during the late 1980s and 1990s. The findings also suggest that after 1986 religious actors and their allies were far more likely to employ the tools of social-movement mobilization and to connect their own claims to national social movements or campaigns.

DATA ON ARTS ORGANIZATIONS: A REVIEW AND NEEDS ASSESSMENT, WITH DESIGN IMPLICATIONS

This project describes the data resources on arts organizations that are currently available to inform the efforts of policy makers, arts managers, and researchers working in the arts field. It assesses the adequacy of different data sources for identifying the population of arts and cultural organizations in a community. The report is based on a review of more than a dozen sources of information about arts and cultural organizations, interviews with researchers and data specialists, and an empirical study of arts organizations in three metropolitan areas - Philadelphia, Dallas-Fort Worth, and Minneapolis-St. Paul. The report concludes with recommendations for improving data quality and for establishing an ongoing national database on the arts sector.

Commentary: “Personality and intentional binding: an exploratory study using the narcissistic personality inventory”

A commentary on Personality and intentional binding: an exploratory study using the narcissistic personality inventory by Hascalovitz AC and Obhi SS. Front. Hum. Neurosci. (2015) 9:13. doi: 10.3389/fnhum.2015.0001