2 research outputs found
LA TURCA , UNA GIGANTONA DE LA PROCESI脫N DEL CORPUS DE X脌TIVA. ESTUDIO HIST脫RICO-T脡CNICO Y METODOLOG脥A DE CONSERVACI脫N
[EN] The festive culture is full of popular representations which enrich the collective imagination, as powerful elements that reinforce the sense of belonging and identify the social groups. The giants and big-heads are the proof of this folkloric wealth, very symbolically linked to the tradition of immaterial connotation.
In this final work of degree, is presented the iconographic and historical contextualisation of one of the carton-stone giants that paraded for years on the occasion of the feast of Corpus Christi in Xativa, in the province of Valencia. It also has a technical, material and physiognomic examination of the sculpture, popularly known as 芦La Turca禄. To sum up the conclusion is that it belongs to the late nineteenth and early twentieth centuries.
As a festive element of processional uses it s presents important problems of structural and dimensional type, as well as the previous ones, especially located in the polychromy areas, with the purpose of recover its appearance with the superposition of varnishes and repaints.
After determining the status of conservation and according to all the preliminary studies, starts the intervention in the order to guarantee the structural stability of the carton support and the strata of the polychromy, to recover it s original size, remove the historical chromatic additions and meet the needs of Conservation of the textile complements and other trappings that accompany the work.[ES] La cultura festiva est谩 repleta de representaciones populares que enriquecen el imaginario colectivo, como poderosos elementos que refuerzan los mecanismos de pertenencia e identidad de los grupos sociales. Los gigantes y cabezudos son una prueba de esta riqueza folkl贸rica, muy ligada simb贸licamente a la tradici贸n de connotaci贸n inmaterial.
En el presente trabajo final de grado se realiza la contextualizaci贸n iconogr谩fica e hist贸rica de uno de los gigantes de cart贸n-piedra que desfilaron durante a帽os con motivo de la festividad del Corpus Christi en la localidad valenciana de X脿tiva. Asimismo, se lleva a cabo el examen t茅cnico, material y fison贸mico de la escultura, conocida popularmente como La turca , tras el cual ha podido concluirse que su dataci贸n se estima entre finales del siglo XIX y principios del XX.
Como elemento festivo de uso procesional presentaba importantes problemas de tipo estructural y dimensional, as铆 como intervenciones anteriores que, especialmente localizadas en las 谩reas de la policrom铆a, intentaron actualizar reiteradamente su aspecto con la superposici贸n de barnices y repintes.
Despu茅s de determinar su estado de conservaci贸n y de acuerdo con todos los estudios preliminares se realiza su intervenci贸n para garantizar la estabilidad estructural del soporte de cart贸n y los estratos de policrom铆a, recuperar su tama帽o original, eliminar las adiciones crom谩ticas hist贸ricas y atender a las necesidades de conservaci贸n de los complementos textiles y otros atav铆os que acompa帽an a la obra.The festive culture is full of popular representations which enrich the collective imagination, as powerful elements that reinforce the sense of belonging and identify the social groups. The giants and big-heads are the proof of this folkloric wealth, very symbolically linked to the tradition of immaterial connotation.
In this final work of degree, is presented the iconographic and historical contextualisation of one of the carton-stone giants that paraded for years on the occasion of the feast of Corpus Christi in Xativa, in the province of Valencia. It also has a technical, material and physiognomic examination of the sculpture, popularly known as 芦La Turca禄. To sum up the conclusion is that it belongs to the late nineteenth and early twentieth centuries.
As a festive element of processional uses it s presents important problems of structural and dimensional type, as well as the previous ones, especially located in the polychromy areas, with the purpose of recover its appearance with the superposition of varnishes and repaints.
After determining the status of conservation and according to all the preliminary studies, starts the intervention in the order to guarantee the structural stability of the carton support and the strata of the polychromy, to recover it s original size, remove the historical chromatic additions and meet the needs of Conservation of the textile complements and other trappings that accompany the work.Papenkova, A. (2019). LA TURCA , UNA GIGANTONA DE LA PROCESI脫N DEL CORPUS DE X脌TIVA. ESTUDIO HIST脫RICO-T脡CNICO Y METODOLOG脥A DE CONSERVACI脫N. http://hdl.handle.net/10251/127607TFG
L'ART MURAL APLICAT AL ESPAI INTERIOR
[ES] El presente trabajo recoge un estudio sobre el proceso de dise帽o y realizaci贸n de varios proyectos de pintura mural.
El documento trata varios campos, desde el an谩lisis de esta t茅cnica pict贸rica rescatada de la tradici贸n y su empleo como atributo decorativo hoy en d铆a, hasta realizaci贸n de varios encargos reales de pintura mural. Desde el punto de vista te贸rico se realiza una documentaci贸n de campo de los distintos elementos que conforman el presente trabajo: el arte mural, su trayectoria y aplicaci贸n, que posteriormente, sirvi贸 de base conceptual para la realizaci贸n de la parte pr谩ctica, que consisti贸 en la ideaci贸n, planificaci贸n y generaci贸n de varios proyectos de pinturas murales en el entorno domestico.
Como colof贸n de este proyecto, todas las investigaciones te贸ricas llevadas a cabo, quedan reflejadas en las obras murales que cumplen con los objetivos planteados, que permiten explicar la historia y evoluci贸n de arte mural y su aplicaci贸n para desarrollar la planificaci贸n y realizaci贸n del proceso de trabajo pr谩ctico.[EN] The present work contains a study of the process of design and realization of several mural painting projects.
This research project covers several fields, from the analysis of this pictorial technique, rescued from tradition and its use as a decorative attribute today, to the execution of various murals. From the theoretical point of view, this investigation analyzes the different elements that put together the present work, such as the mural art and its trajectory and application. This study creates the conceptual basis for the realization of the practical part, which consisted on the ideation, planning and generation of several mural paintings for home interiors.
In conclusion of this project, all the theoretical investigations are reflected in the murals that fulfill the established objectives, which explain the history and the evolution of mural art and its application, to meet the needs of planning and developing the practical work process.Papenkova, A. (2022). EL ARTE MURAL APLICADO AL ESPACIO INTERIOR. Universitat Polit猫cnica de Val猫ncia. http://hdl.handle.net/10251/184506TFG