Competing English, Spanish, and French alabaster trade in Europe over five centuries as evidenced by isotope fingerprinting

A lack of written sources is a serious obstacle in the reconstruction of the medieval trade of art and art materials, and in the identification of artists, workshop locations, and trade routes. We use the isotopes of sulfur, oxygen, and strontium (S, O, Sr) present in gypsum alabaster to unambiguously link ancient European source quarries and areas to alabaster artworks produced over five centuries (12th–17th) held by the Louvre museum in Paris and other European and American collections. Three principal alabaster production areas are identified, in central England, northern Spain, and a major, long-lived but little-documented alabaster trade radiating from the French Alps. The related trade routes are mostly fluvial, although terrestrial transport crossing the major river basin borders is also confirmed by historical sources. Our study also identifies recent artwork restoration using Italian alabaster and provides a robust geochemical framework for provenancing, including recognition of restoration and forgeries

Tracing Medieval and Renaissance Alabaster Works of Art Back to Quarries: A Multi-Isotope (Sr, S, O) Approach

Multi-isotope fingerprinting (sulphur, oxygen and strontium isotopes) has been tested to study the provenances of medieval and Renaissance French and Swedish alabaster works of art. Isotope signatures of historical English, French and Spanish alabaster source quarries or areas are revealed to be highly specific, with a strong intra-group homogeneity and strong inter-group contrasts, especially for Sr and S isotopes. The chosen combination of isotope tracers is a good basis for forensic work on alabaster provenance, allowing verification of hypotheses about historical trade routes as well as identification of fakes and their origin. The applied analytical techniques of continuous flow isotope ratio mass spectrometry (CF–IRMS) and thermal ionization mass spectrometry (TIMS) only require micro-samples in the low-milligram range, thus minimizing the impact on the works of art

Origin of salts in stone monument degradation using sulphur and oxygen isotopes: First results of the Bourges cathedral (France)

International audienceThe crystallisation of soluble sulphate salts is one of the most important factors of stone monument degradation. The origin of these salts is variable: marine, air pollution, building or restoration material. The lack of certainty about these sources represents a problem for restoration campaigns. The use of sulphur and oxygen isotopic tracers allows to discriminate the origins of materials and some stone deterioration patterns like black crusts (e.g. [Šrámek J., 1988. Sulfur Isotopes in the revealing corrosion mechanism of stones. 6th International Congress on Deterioration and Conservation of Stone,. Proceedings, ed. J. Ciabach. Nicholas Copernicus University, Torun, Poland, 341–345.]). First results obtained on the Bourges cathedral (France) show that the sulphur and oxygen isotopic composition of sulphates from external (atmospheric pollution) and internal (mortars, plasters and sulphates coming from stone sulphide oxidation) origins constitute well differentiated poles. The isotopic composition of sulphates implied in different stone deterioration patterns is well explained by a combination of these poles. The present study will be extended to other French monuments located in different lithological and hydroclimatic settings where contributions of sea salts and ancient chemical treatments are suspected

The Temple of Amenhotep III at Thebes. Excavation and conservation at Kom El Hettan. Third report on the fifth season in winter 2002/2003

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