8 research outputs found
Exile Vol. XX No. 1
ARTWORK
by Sue Sartarelli cover, 24
by Chris Schulze 5, 24, 29
by Heather Richey 6
by Katheryn Riedl 7
by Jane Joldersma 10
by Jan Mosher 12
Pat Victory 15
Rona Rosen 20, 31
Arthur Ernst 21
Kim McMullen 24
FICTION
First Time by Bud Foufos 3-4
Father\u27s Last Party by Vic Coccimiglio 11
untitled by Catherine Bader 16-17
God and Sergeant Mays by J. Frank Burkhard 22
Pages of a Story by Peter Porteous 27-31
POETRY
The Rest by Ezra Pound (preface)
In the Midst of an Echo by Phil Mercurio 4
Sierra Madre Prose by John Purcell 5
untitled by Sue Payne 6
untitled by Cathy Graff 6
untitled by Sharon Singleton 7
Big Al by Phil Mercurio 9-10
untitled by Sharon Singleton 12
Folksinger by Alison Orleans 13
Sweat Rebellion by S. Hunt 13
Blackgrey by Laurie Wharton 14
What is she to you? by Peter Porteous 18
Pojects by Mary Mueller 21
untitled by Dawn Patnode 25
The Barn by Mary Schloss 25
PHOTOGRAPHY
by Bruce Andre 1, 18
by Jane Joldersma 4, 23, 26
by Breese Olander 8
by Pam Purcell 8
by Loree Ruman 13, 14
Foster Schmidt 19
Chip Andreae 19, 23
Nancy Pickenson 26
Nancy Chorpenning 32
Many thanks to the advertising agencie -2
Pgs. 25 and 26 are out of order in the published edition and can be found between pages 8 and 9
Exile Vol. XXII No. 1
PROSE
Dust by Katie Tight 4-13
The Masculine Cure by Elizabeth Thomas 14-19
The Rats Still Sleep At Night by Wolfgang Borchert (translated from the German by Eric Fridman) 20-22
Largo for a Pelican by Morgan Wills 23-25
Role by Anne Tomfohrde 26-29
Goody Two-Shoes Meets the Cincinnati Kid by Kim McMullen 30-38
In the Final Analysis (Psychological or Otherwise): A Review of Carl Jung\u27s Theory of Art by Issa Christian Halabi 39-42
POETRY
Here by Fayad Jamis (translated from the Spanish by Joseph R. deArmas) 44
No. 236 by Dawn Patnode 45
No. 237 by Dawn Patnode 46
In my Room by Ulf Miehe 47
Saturday Night Lament by Woodrow Jones 48-49
Basho\u27s Hut by Lenore Mayhew 50
From a Train: Ireland by Kim McMullen 51
Suggested by One Hundred Years Of Solitude by Martin Cloran 52
(to L. Martynov) by Yevgeny Yevtushenko 53
At Sea by Paul Bennett 54
Words In A Line by Lawrence Weber 55
a leave-taking by Debra Allbery 56
untitled by Alison Orleans 57
As The Water Whittles in Colour by Lawrence Weber 58-59
Falconsong or Falcon Song by The Man from Kurenben (translated from the German by John Kessler) 60
POUND
Introduction 62
Response from Hugh Kenner 63
Response from Mary de Rachewiltz 64
The Cantos: The Vision of Ezra Pound by William McNaughton 65-78
CONTRIBUORS 79-80
Cover sketch by Lisa Rope
Pound Photograph Courtesy of Bill McNaughto
Exile Vol. XXIII no. 1
PROSE
The White Butterfly by Dalton Trevisan (translated from the Portugese by Alexis Levitin) 5-6
Natural Selection by Anne Tomfohrde 7-14
Stuck a Feather in His Cap... (for Boo) by Tim Cockey 15-18
An Act of Violence by William McNaughton 19-22
Shall We Now Praise Famous Men? by Lawrence Weber 23-24
POETRY
Wake by Dawn Patnode 26
Pebble by Lenore Mayhew 27
Bien: yo respeto... by José Mártà 28
Yes: I respect by José Mártà (translated from the Spanish by Joan Straub) 29
untitled by Mary Schloss 30
Nursing Home by Tim Cockey 31
Maia by Betsy Sloan 32
untitled by Loranna Franz 33
Momento Num Cafe by Manuel Banderia 34
Moment in a Café by Manuel Banderia (translated from the Portoguese by Alexis Levitin) 35
Pleiades by Dawn Patnode 36-37
untitled by Sharon Singleton 39
Travel by Libby Thomas 40
untitled by José Pretlow 41
MelancolĂa by RubĂ©n DarĂo 42
Melancholy by RubĂ©n DarĂo (translated from the Spanish by Joan Straub) 43
Lake Shore Drive by Alison Orleans 44
Repudiation by Tona Dickerson 45
Auvers 1889 by Dawn Patnode 47
Retreat by Deb Allbery 48
An Illusion Of Dancing Figures by Lawrence Weber 50-58
Cloud by Lenore Mayhew 59
ESSAYS
Climbing \u27earth\u27s undying monument\u27 by Richard H. Soaper, Jr. 61-71
A Program for the American Land by Lindy Davies 72-77
Kerouac and His Critics (For Amy) by John Kralik 80-82
Cover photograph from a late nineteenth century glass negative found in an Ohio antique shop and used with the permission of its owner