Postmodern tendencies in the russian poetry of the “Silver Age”

Postmodern Tendencies in the Russian Poetry of the “Silver Age” / Chornyi, I., Pertseva, V., Chorna, V. and oth. // Postmodern Openings. - 2021. - Vol. 12, № 4. - P. 124-140. - DOI: https://doi.org/10.18662/po/12.4/364.Chornyi, I., Pertseva, V., Chorna, V., Horlova, O., Shtepenko, O., & Lipisivitskyi, M. (2021). Postmodern Tendencies in the Russian Poetry of the “Silver Age”. Postmodern Openings, 12(4), 124-140. https://doi.org/10.18662/po/12.4/364У статті вперше аналізуються окремі аспекти російської поезії «Срібного століття» з метою виявлення рудиментів чи рис, притаманних постмодерністській творчій парадигмі.For the first time, the article analyses certain aspects of Russian poetry of the “Silver Age” in order to identify the rudiments or features which are characteristic of the postmodern creative paradigm. It is noted th at a number of poets almost do not have any postmodernist tendencies. Despite the fact it is proved that postmodernism denies the personality - centric and aesthetically oriented concept of modernism, it nevertheless arose on the basis of modernism and has s harpened evolutionary features formulated in the first half of the 20th century. The article aims to prove a hypothesis that arises in the authors during a preliminary perceptual reading of the poets` works of the “Silver Age”: in the early 20th century. S poradically and consistently in individual authors can be observed irony, play, reconstruction and performance as precursor of postmodernist creative thinking. Specialties of the Russian poetry of the “Silver Age”, which directly correlate with postmoderni st tendencies of the second half of the 20th century is not a description itself, but the realization of reality, ambivalence, as well as following the linguistic and figurative, conceptual, motive levels of gradual transitions between the paradigms of “sy mbolism – modernism” and “modernism – postmodernism”. The international significance of the article is that the material of one of the Eastern European literatures has proved the existence of postmodern (quasi - postmodern) features in the first half of the 20th century for the first time, which can serve as a deeper research in the field of literary typology, continuity; culturology and anthropology.В статье впервые анализируются отдельные аспекты русской поэзии «Серебряного века» с целью выявления рудиментов или черт, характерных для постмодернистской творческой парадигмы

Characterization and preliminary assessment of a sorbent produced by accelerated mineral carbonation

This study shows that calcium silicate/aluminate-based materials can be carbonated to produce sorbents; for metal removal. The material chosen for investigation, cement clinker, was accelerated carbonated, and its structural properties were investigated using X-ray diffraction (XRD), scanning electron microscopy, thermal gravimetric and differential thermal analysis, nuclear magnetic resonance spectroscopy, and nitrogen gas adsorption techniques. The principal carbonation reactions involved the transformation of dicalcium silicate, tricalcium silicate, and tricalcium aluminate into a Ca/Al-modified amorphous silica and calcium carbonate. It was found that carbonated cement had high acid buffering capacity, and maintained its structural integrity within a wide pH range. The uptake of Pb(II), Cd(11), Zn(II), Ni(II), Cr(III), Sr(II), Mo(VI), Cs(I), Co(II), and Cu-(II) from concentrated (1000 mg L-1) single-metal solutions varied from 35 to 170 mg g(-1) of the carbonate cement. The removal of metals was hardly effected by the initial solution pH due to the buffering capability of the carbonated material. The kinetics of Pb, Cd, Cr, Sr, Cs, and Co removal followed a pseudo-second-order kinetic model, whereas the equilibrium batch data for Cu fitted the pseudo-first-order rate equation. PHREEQC simulation supported by XRD analysis suggested the formation of metal carbonates and silicates, calcium molybdate, and chromium (hydro)oxide. Cesium was likely to be adsorbed by Ca/Al-modified amorphous silica

Man, Poetry and Nature in the Work of A.Yu. Krymsky: Actuality of Postmodern Communications

The article analyzes the features of poetic reflection in the work of A. Krymsky in the relation "man-nature". Coverage of this problem in the conditions of postmodern philosophical discourse requires appropriate embeddedness in the national and cultural experience. Moreover, the poetry of A. Krymsky manifests the deep experiences of the Ukrainian man's ties with the natural world, which includes the actualization of the inner nature of man. The author seeks to "write out" the laws of the "moral constitution" according to which a person is worthy of his purpose of being in nature "has the right" to love according to the vocation of his convictions, his needs and inclinations. On the one hand, the author seems to call us to abide by these "laws", but, on the other hand, his thoughts divert from such categoricalness into the space of "identity" and confessional repentance. As follows from the above, the dignity of a person consists in the awakening and strengthening of an independent, responsible, formed on the path of enriching the inner life of a spiritual personality and the search for a free egress. And in this, in fact, the highest value of the relevance of postmodern self-communication in the interpretation of the poetic work of A. Krymsky is developed