5,891 research outputs found

    Fighting Novel Diseases amidst Humanitarian Crises

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    Humanitarian crises are becoming more prevalent and, frequently, more complex, in zones of mis-governance, lack of government presence, and even active conflict, marked by public mistrust and insecurity. The WHO and other health emergency responders lack the capacities and mandate to adequately respond. The current Ebola outbreak in an area of an active insurgency in the Democratic Republic of the Congo is just such a crisis. The State Department has banned U.S. personnel from the outbreak zone due to safety concerns, leaving the population feeling abandoned, potentially increasing the threat to the few brave health workers who remain. We need is to rethink health emergency response during complex crises and devise new strategies. We offer a blueprint for responding to health emergencies amidst complex humanitarian crises. This blueprint includes peacekeepers who have the mandate and modalities fit for the purpose of quelling a health emergency; “smart” diplomacy to negotiate with belligerents and community members to ensure health and humanitarian worker safety; and deploying all needed health, security, and diplomatic assets. We also call for international development assistance for health, including to support states in developing core public health capacities, creating inclusive health systems, and meeting other need like clean water and nutritious food. Political actors will need to assume their responsibilities if humanitarians and health workers are to carry out theirs

    Parties and Transactions Covered by Consumer-Credit Legislation

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    6 Seconds of Sound and Vision: Creativity in Micro-Videos

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    The notion of creativity, as opposed to related concepts such as beauty or interestingness, has not been studied from the perspective of automatic analysis of multimedia content. Meanwhile, short online videos shared on social media platforms, or micro-videos, have arisen as a new medium for creative expression. In this paper we study creative micro-videos in an effort to understand the features that make a video creative, and to address the problem of automatic detection of creative content. Defining creative videos as those that are novel and have aesthetic value, we conduct a crowdsourcing experiment to create a dataset of over 3,800 micro-videos labelled as creative and non-creative. We propose a set of computational features that we map to the components of our definition of creativity, and conduct an analysis to determine which of these features correlate most with creative video. Finally, we evaluate a supervised approach to automatically detect creative video, with promising results, showing that it is necessary to model both aesthetic value and novelty to achieve optimal classification accuracy.Comment: 8 pages, 1 figures, conference IEEE CVPR 201

    Some Thoughts on Products Liability Law: A Reply to Professor Shanker

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    Reissue & Revivalism: Uncovering Ireland\u27s Lost DIY, Electronic and Post-Punk Histories

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    Reissues: a rediscovery of the past. This process of rediscovery is nowhere more evident than in the current output of the Dublin record label and shop, All City Records. Recently, its owner Olan O’Brien, has been delving into the unknown with a series of reintroduced gems from Ireland’s musical past with its AllChival imprint. Whether it is Quare Grooves, a compilation of Irish-made Seventies groove and funk or the re-release of Dublin producer Stano’s debut album of experimentalist new wave from 1983, the label has been playing a rival role in the recontextualising lost DIY (Do-it-Yourself), electronic and post punk music for new audiences, both at home and abroad, keen to snap up albums from artists previously unknown to all but a few. One key from AllChival re-release is Micheal O\u27Shea\u27s Mo Chara, originally released on the UK post-punk group Wire’s label in 1982. The reissue of this long-lost one-off debut album in 2019 has revived and reintroduced this singular Irish busking artist to audiences anew, attracted to O’Shea’s mythical music untethered to a single period or place. Through reissue and revivalism, Michael O’ Shea’s singular music returns, its mystery wholly intact. This paper discusses what such reissues bring to the music consumer and considers how lost albums and music from the past, help raise the awareness of the activities that have contributed toward the sound of DIY, electronic and post punk music in Ireland today

    The Plight of the Consumer in the Uniform Consumer Credit Code

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    Corporate Signatures on Negotiable Instruments

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    Some Thoughts on Products Liability Law: A Reply to Professor Shanker

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