Pursuing Whiteness in the Colonies

Pursuing Whiteness in the Colonies offers a new comprehension of colonial history from below by taking remnants of individual agencies from a whiteness studies perspective. It highlights the experiences and perceptions of colonisers and how they portrayed and re-interpreted their identities in Africa. The transcolonial approach is based on egodocuments from Belgian, German and Swedish men and women who migrated to Central Africa for reasons like a love for adventure, social betterment, new gender roles, or the conviction that colonising was their patriotic duty.The author presents how colonisers constructed their whiteness in relation to the subalterns in everyday situations connected to friendship, animals, gender and food. White culture was often practiced to maintain the idea(l) of European supremacy, for example by upholding white dining cultures. The welcoming notion of ‘breaking bread’ was replaced by a dining culture that reinforced white identity and segregated white from non-white people.By combining colonial history with whiteness studies in an African setting the author provides a different understanding of imperial realities as they were experienced by colonisers in situ

Pursuing Whiteness in the Colonies

Pursuing Whiteness in the Colonies offers a new comprehension of colonial history from below by taking remnants of individual agencies from a whiteness studies perspective. It highlights the experiences and perceptions of colonisers and how they portrayed and re-interpreted their identities in Africa. The transcolonial approach is based on egodocuments from Belgian, German and Swedish men and women who migrated to Central Africa for reasons like a love for adventure, social betterment, new gender roles, or the conviction that colonising was their patriotic duty.The author presents how colonisers constructed their whiteness in relation to the subalterns in everyday situations connected to friendship, animals, gender and food. White culture was often practiced to maintain the idea(l) of European supremacy, for example by upholding white dining cultures. The welcoming notion of ‘breaking bread’ was replaced by a dining culture that reinforced white identity and segregated white from non-white people.By combining colonial history with whiteness studies in an African setting the author provides a different understanding of imperial realities as they were experienced by colonisers in situ

On the longevity of visual colonial stereotyping and its influence on twenty-first-century societal and identity debates

This paper engages with current societal identity debates related to select postcolonial southern African circles, whose European origins can partially be traced back to the creation of the colonial photography genre. The contemporary visualisation of non-white Africans in the European landscape is linked to a genre that was born in the times of High Imperialism. As a child of its time, colonial photography laid the foundation for both racist and racial depiction patterns of certain African peoples and what their supposed traits and looks were from the coloniser’s point of view, thereby creating seeing patterns. Until today, social debates and political movements are linked to the visualisation of non-white peoples. This project is about the historical muting of sub-Saharan Africa through stereotypical images and its links to the shaping and maintenance of postcolonial identity debates concerning racialised visualisation traditions in Europe. This repetitive visual blinding is another form of colonial aggression by constantly perpetuating certain image(rie)s and thereby facilitating colonial mentalities. Examples presented below show how far-reaching the colonial photographic stereotypes are by not limiting the scope of seeing traditions to photographs. Instead, other areas of visible everyday spaces like street names, monuments, statues, lawsuits or book covers are included