The Classification of Agatthinai in the Grammatical Books that deals with Love-Genre

It is a great principle of the ancient Tamils that the way of life and culture of the people will depend on the nature of the land on which they live. In that sense, the activities corresponding to the respective land are referred to as "discipline" or "Thinai". There are generally two types of thinai, namely, domestic and public. The ego is the expression of the feelings of the heart. Accordingly, if we study Agathinai, the word Agathinai refers to the life of the people. This paper examines the tendency in tribal Tamil society to the transformation of intraocular pleasure into bliss and then into carnal pleasure in the dominant feudal society. This study will help those who seek to understand the domestic life of Tamils through grammar in the future to gain a proper understanding. Moreover, the study of grammar helps in identifying the Tamil community as a patrilineal society when the dominant mentality takes root in the society

Kaikilai in Kalithogai

This review is about the Kaikilai mentioned first in Tolkappiyar's Tholkappiyam. There are only four hymns (numbers 56,57,58,109) on the Kaiklai in Sangam literature. All the four songs are found only in Kalithogai text. All these four songs have been examined with the description of Kaikilai mentioned in Tolkappiyam. Kaikilai refers to the sexual love before it is reciprocated and it is also considered to be a man falling in love with a young woman. But all the Kaiklai songs of Kalithogai have depicted the physical beauty of the young girls. All the deeds of Kaiklai hero are recorded in the Kalithogai songs according to Tholkapiya tradition. Through these, it is clear that the mindset of a man who seduces a woman who has not reached puberty is Kaikilai. In other words, this article assumes that it is a kind of feeling that seems natural to young men when they see a young woman