Mrs. Canada Goes Global: Canadian First Wave Feminism Revisited

An intensive re-examination of first wave feminism in Canada is long overdue, especially in light of new and important questions which have been raised in the international literature. A more systematic exploration of feminism and the making of Canada is essential most notably as it relates to citizenship, imperialism and internationalism.Une ré-étude de la première vague du féminisme au Canada est échue depuis bien longtemps, surtout vu les nouvelles et importantes questions qui ont été soulevées dans la littérature internationale. Une exploration plus systématique du féminisme et de la création du Canada est essentielle plus notamment en ce qui a trait à la citoyenneté, l'impérialisme et l'internationalisme

Gothic Realism and Other Genre F(r)ictions in Contemporary Black Canadian Writing

Focusing on works by Wayde Compton and Esi Edugyan, I analyze the mix of realism, the gothic and other speculative forms in contemporary Black Canadian writing with a view to considering the kind of literary-historical and political work this mix performs. I address current debates about the “genre turn” as well as the (re)turn of / to realism in contemporary literature, and I argue that a supplementary logic governs the introduction of the gothic or speculative within realism in Black Canadian works attentive to the occlusions of the historical archive. I argue that more than “highlighti[ng] the gaps … in the national imaginary” as Cynthia Sugars has argued of the gothic, the friction between realism and the speculative allows these writers to introduce a different epistemology, a different ontology and a different model of the social. While realism’s own contradictions afford it an internal reflexivity that mediates its historical determination, it remains inadequate to the task of translating ways of knowing and being that operate outside of (neo)liberal governmentality even as they are subject to it. In writing both in the “realist prose” of the current political arrangements and the languages those arrangements cannot or will not speak, Compton and Edugyan not only make sensible and perceptible sites of knowing and being that are outside of the present order, but serve to ground collective socio-political imagining anew