Comedy, pain and nonsense at the Red Moon Cafe: The Little Tramp's death by service work in Modern Times

Paper presented at the Art of Management Conference, 2004, ParisThis paper was originally presented at the Art of Management Conference, in Paris in 2004. The paper is an essay about The Red Moon Cafe scene in Charlie Chaplin's masterpeiece, Modern Times (1936). In this scene, famous for the Nonsense Song, where the Little Tramp 'speaks' for the first and the last time on screen, Chaplin explores service work, especially the theme of authenticity, and uses his skills as a dancer, musician, choreographer, and film maker, to provide a commentary on service work

Unconventional classifiers and anti-social machine intelligences. Artists creating spaces of contestation and sensibilities of difference across human-machine networks

Artificial intelligence technologies and data structures required for training have become more accessible in recent years and this has enabled artists to incorporate these technologies into their works to various ends. This paper is concerned with the ways in which present day artists are engaging with artificial intelligence, specifically material practices that endeavor to use these technologies and their potential non-human agencies as collaborators with differential objectives to commercial fields. The intentions behind artists’ use of artificial intelligence is varied. Many works, with the accelerating assimilation of artificial intelligence technologies into everyday life, follow a critical path. Such as attempting to unveil how artificial intelligence materially works and is embodied, or to critically work through the potential future adoptions of artificial intelligence technologies into everyday life. However, I diverge from unpacking the criticality of these works and instead follow the suggestion of Bruno Latour to consider their composition. As for Latour, critique implies the capacity to discover a ‘truer’ understanding of reality, whereas composition addresses immanence, how things come together and the emergence of experience. Central to this paper are works that seek to collaborate with artificial intelligence, and to use it to drift out of rather than to affirm or mimic human agency. This goes beyond techniques such as ‘style transfer’ which is seen to support and encode existing human biases or patterns in data. Collaboration with signifies a recognition of a wider field of what constitutes the activity of artistic composition beyond being a singularly human, or AI, act, where composition can be situated in a system. This paper will look at how this approach allows an artist to consider the emerging materiality of a system which they are composing, its resistances and potentials, and the possibilities afforded by the exchange between human and machine intentions in co-compositio

A Note on the Intermediate Region in Turbulent Boundary Layers

We demonstrate that the processing of the experimental data for the average velocity profiles obtained by J. M. \"Osterlund (www.mesh.kth.se/$\sim$jens/zpg/) presented in [1] was incorrect. Properly processed these data lead to the opposite conclusion: they confirm the Reynolds-number-dependent scaling law and disprove the conclusion that the flow in the intermediate (`overlap') region is Reynolds-number-independent.Comment: 8 pages, includes 1 table and 3 figures, broken web link in abstract remove

Characteristics of the Martian atmosphere surface layer

Elements of various terrestrial boundary layer models are extended to Mars in order to estimate sensible heat, latent heat, and momentum fluxes within the Martian atmospheric surface ('constant flux') layer. The atmospheric surface layer consists of an interfacial sublayer immediately adjacent to the ground and an overlying fully turbulent surface sublayer where wind-shear production of turbulence dominates buoyancy production. Within the interfacial sublayer, sensible and latent heat are transported by non-steady molecular diffusion into small-scale eddies which intermittently burst through this zone. Both the thickness of the interfacial sublayer and the characteristics of the turbulent eddies penetrating through it depend on whether airflow is aerodynamically smooth or aerodynamically rough, as determined by the Roughness Reynold's number. Within the overlying surface sublayer, similarity theory can be used to express the mean vertical windspeed, temperature, and water vapor profiles in terms of a single parameter, the Monin-Obukhov stability parameter. To estimate the molecular viscosity and thermal conductivity of a CO2-H2O gas mixture under Martian conditions, parameterizations were developed using data from the TPRC Data Series and the first-order Chapman-Cowling expressions; the required collision integrals were approximated using the Lenard-Jones potential. Parameterizations for specific heat and binary diffusivity were also determined. The Brutsart model for sensible and latent heat transport within the interfacial sublayer for both aerodynamically smooth and rough airflow was experimentally tested under similar conditions, validating its application to Martian conditions. For the surface sublayer, the definition of the Monin-Obukhov length was modified to properly account for the buoyancy forces arising from water vapor gradients in the Martian atmospheric boundary layer. It was found that under most Martian conditions, the interfacial and surface sublayers offer roughly comparable resistance to sensible heat and water vapor transport and are thus both important in determining the associated fluxes

Evidence for a k^{-5/3} spectrum from the EOLE Lagrangian balloons in the low stratosphere

The EOLE Experiment is revisited to study turbulent processes in the lower stratosphere circulation from a Lagrangian viewpoint and resolve a discrepancy on the slope of the atmospheric energy spectrum between the work of Morel and Larcheveque (1974) and recent studies using aircraft data. Relative dispersion of balloon pairs is studied by calculating the Finite Scale Lyapunov Exponent, an exit time-based technique which is particularly efficient in cases where processes with different spatial scales are interfering. Our main result is to reconciliate the EOLE dataset with recent studies supporting a k^{-5/3} energy spectrum in the range 100-1000 km. Our results also show exponential separation at smaller scale, with characteristic time of order 1 day, and agree with the standard diffusion of about 10^7 m^2/s at large scales. A still open question is the origin of a k^{-5/3} spectrum in the mesoscale range, between 100 and 1000 km.Comment: 19 pages, 1 table + 5 (pdf) figure

Atlas topographique de Lyon antique, presqu’île et quartiers fluviaux

L’atlas topographique de Lyon antique, initié par M. Lenoble (SRA Rhône-Alpes) en 2001 dans le cadre d’un PCR, a été mis en œuvre selon les normes et la méthodologie mises en place par les atlas topographiques des villes de Gaule méridionale. Un découpage général couvrant l’ensemble de la ville a ainsi été réalisé et un certain nombre de notices concernant des aires géographiques différentes a été rédigé (ville antique, presqu’île-quartiers fluviaux, suburbium). Les séances de travail ont abo..