Transdisciplinary approach to archaeological investigations in a Semantic Web perspective

In recent years, the transdisciplinarity of archaeological studies has greatly increased because of the mature interactions between archaeologists and scientists from different disciplines (called "archaeometers"). A number of diverse scientific disciplines collaborate to get an objective account of the archaeological records. A large amount of digital data support the whole process, and there is a great value in keeping the coherence of information and knowledge, as contributed by each intervening discipline. During the years, a number of representation models have been developed to account for the recording of the archaeological process in data bases. Lately, some semantic models, compliant with the CRMarchaeo reference model, have been developed to account for linking the institutional forms with the formal knowledge concerning the archaeological excavations and the related findings. On the contrary, the archaeometric processes have not been addressed yet in the Semantic Web community and only an upper reference model, called CRMsci, accounts for the representation of the scientific investigations in general. This paper presents a modular computational ontology for the interlinked representation of all the facts related to the archaeological and archaeometric analyses and interpretations, also connected to the recording catalogues. The computational ontology is compliant with CIDOC-CRM reference models CRMarchaeo and CRMsci and introduces a number of novel classes and properties to merge the two worlds in a joint representation. The ontology is in use in "Beyond Archaeology", a methodological project for the establishing of a transdisciplinary approach to archaeology and archaeometry, interlinked through a semantic model of processes and objects

“I Cantieri del Suono” project: a public-private cooperation for the valorization of the violin “Piccolo” by Lorenzo Storioni (1793)

The Cultural District of Violin Making is a network of Cremona municipality that keeps the search for quality violinmaking alive and constantly strives to defend traditional craftsmanship. It coordinates various groups in the city involved in education, teaching and research in the field of music and violinmaking. The Bracco Foundation, one of the leading arts patrons in Italy, has chosen to finance the “I Cantieri del Suono” project, dealing with this highly promising area. One of the projects aims consists in the acquisition and valorisation of a rare violin made by Lorenzo Storioni (Cremona, 1744-1816), involving all the main organisations in the District, plus the violin makers that work in the city of Cremona. This small-size violin, known as “Piccolo”, was probably made for a child. The instrument was played in the decades following its construction (1793), but then it has not been used for a significant period. It provides an extraordinary piece of evidence when it comes to construction techniques, the materials used and the composition of varnishes in late eighteenth century Cremona. The analytical protocol developed at the Laboratorio Arvedi di Diagnostica non Invasiva allowed collecting new data on the instrument through a non-invasive approach (XRF and FTIR spectroscopy, X-ray radiography, VIS-UVIFL photography, 3D laser scanning, OCT, NMR). The obtained results were discussed with the students of the Master’s degree in Conservation and Restoration of Cultural Heritage, aiming at identifying the best procedures to preserve the instrument and its materials. Meanwhile, the students of the International School of Violin Making took advantage from 3D model, making a playable copy of the instrument. The violin and its copy will soon enrich the Civic Collections and will be exhibited at the Museo del Violino in Cremona. Up to now different strategies of communications have been put in place (publication of a monography, social network notifications, congress for experts in the field). During the exhibition, attention will be given to the diagnostic results, accompanying visitors through different levels of technical insights

On the identification of folium and orchil on illuminated manuscripts

The identification of the two purple dyes folium and orchil has rarely been reported in the analysis of painted artworks, especially when analysing illuminated manuscripts. This is not consistent with the fact that ancient literary sources suggested their use as substitutes for the more expensive Tyrian purple dye. By employing non-invasive spectroscopic techniques, the present work demonstrates that these dyes were actually widely used in the production of ancient manuscripts. By employing UV\u2013visible diffuse reflectance spectrophotometry with optic fibres (FORS) and spectrofluorimetry, the abundant identification of both dyes on medieval manuscripts was performed by comparing the spectra recorded on ancient codices with those obtained on accurate replicas of dyed or painted parchment. Moreover, examples are also reported whereby the considered purple dyes were used in mixtures with other colourants. The overall information obtained here allowed us to define new boundaries for the time range in which orchil and folium dyes were used which is wider than previously thought, and to focus on their particular uses in the decoration of books