Multicultural mediations, developing world realities: Indians, Koreans and Manila’s entertainment media

In this article, I examine the mediation of multiculturalism in the developing world city of Manila, the Philippines. Drawing on both a thematic analysis of the Manila-centric Philippine entertainment media and six focus group discussions with the city’s local Filipinos, I reveal that this instance of mediation is entangled with the broader discourses of the Philippine postcolonial nationalist project. For one, the mediation of multiculturalism in Manila tends to symbolically marginalize the city’s Indians and Koreans and, in so doing, reinforces existing negative discourses about them. I contend that this is linked to the locals’ preoccupation with establishing a unifying cultural identity that tends to make them elide the issue of their own internal cultural diversity, as well as of the increasing diasporic population of the city. Second, the said mediation also tends to valorize the lighter-skinned Koreans over the darker-skinned Indians. I posit that this is related to how the locals’ discourse of cultural homogeneity has resulted in their continued reluctance to publicly discuss the persistence of their unspoken skin-tone-based racial hierarchy not only of themselves, but also of their cultural others

Identity Formation of Filipino Burlesque Performers: An Interpretative Phenomenological Analysis

Burlesque has seen a resurgence in the form of recreation and exists in different parts of the globe. This study uses the lens of interpretative phenomenological analysis in examining the identity formation of recreational Filipino burlesque performers. Results reveal that performers see burlesque as an art form where they are able to freely express themselves, tell a story, and create a persona distinct from their main self. In the process of improving their sense of self and confidence they seek to empower others and appreciate their sexuality. However, the influence of culture is evident in the identity formation process, as they report the prevalence of stigma with some performers needing to hide their identities from their parents and employers. However, support from family members, peers and their burlesque community offers a safe space as their identities continue to evolve