Agricultural Land or Photovoltaic Parks? The Water–Energy–Food Nexus and Land Development Perspectives in the Thessaly Plain, Greece

Water, energy, land, and food are vital elements with multiple interactions. In this context, the concept of a water–energy–food (WEF) nexus was manifested as a natural resource management approach, aiming at promoting sustainable development at the international, national, or local level and eliminating the negative effects that result from the use of each of the four resources against the other three. At the same time, the transition to green energy through the application of renewable energy technologies is changing and perplexing the relationships between the constituent elements of the nexus, introducing new conflicts, particularly related to land use for energy production vs. food. Specifically, one of the most widespread “green” technologies is photovoltaic (PV) solar energy, now being the third foremost renewable energy source in terms of global installed capacity. However, the growing development of PV systems results in ever expanding occupation of agricultural lands, which are most advantageous for siting PV parks. Using as study area the Thessaly Plain, the largest agricultural area in Greece, we investigate the relationship between photovoltaic power plant development and food production in an attempt to reveal both their conflicts and their synergies

3D Scanning/Printing: A Technological Stride in Sculpture

The creation of innovative tools, objects and artifacts that introduce abstract ideas in the real world is a necessary step for the evolution process and characterize the creative capacity of civilization. Sculpture is based on the available technology for its creation process and is strongly related to the level of technological sophistication of each era. This paper analyzes the evolution of basic sculpture techniques (carving, lost-wax casting and 3D scanning/printing), and their importance as a culture footprint. It also presents and evaluates the added creative capacities of each technological step and the different methods of 3D scanning/printing concerning sculpture. It is also an attempt to define the term “material poetics”, which is connected to sculpture artifacts. We conclude that 3D scanning/printing is an important sign of civilization, although artifacts lose a part of material poetics with additive manufacturing. Subsequently, there are various causes of the destruction of sculptures, leaving a hole in the history of art. Finally, this paper showcases the importance of 3D scanning/printing in salvaging cultural heritage, as it has radically altered the way we “backup” objects

3D Scanning/Printing: A Technological Stride in Sculpture

The creation of innovative tools, objects and artifacts that introduce abstract ideas in the real world is a necessary step for the evolution process and characterize the creative capacity of civilization. Sculpture is based on the available technology for its creation process and is strongly related to the level of technological sophistication of each era. This paper analyzes the evolution of basic sculpture techniques (carving, lost-wax casting and 3D scanning/printing), and their importance as a culture footprint. It also presents and evaluates the added creative capacities of each technological step and the different methods of 3D scanning/printing concerning sculpture. It is also an attempt to define the term “material poetics”, which is connected to sculpture artifacts. We conclude that 3D scanning/printing is an important sign of civilization, although artifacts lose a part of material poetics with additive manufacturing. Subsequently, there are various causes of the destruction of sculptures, leaving a hole in the history of art. Finally, this paper showcases the importance of 3D scanning/printing in salvaging cultural heritage, as it has radically altered the way we “backup” objects

The Sound of a Circular City: Towards a Circularity-Driven Quietness

The circular economy paradigm can be beneficial for urban sustainability by eliminating waste and pollution, by circulating products and materials and by regenerating nature. Furthermore, under an urban circular development scheme, environmental noise can be designed out. The current noise control policies and actions, undertaken at a source–medium–receiver level, present a linearity with minimum sustainability co-benefits. A circular approach in noise control strategies and in soundscape design could offer numerous ecologically related co-benefits. The global literature documenting the advantages of the implementation of circular economy in cities has highlighted noise mitigation as a given benefit. Research involving circular economy actions such as urban green infrastructure, green walls, sustainable mobility systems and electro-mobility has acknowledged reduced noise levels as a major circularity outcome. In this research paper, we highlight the necessity of a circularity and bioeconomy approach in noise control. To this end, a preliminary experimental noise modeling study was conducted to showcase the acoustic benefits of green walls and electric vehicles in a medium-sized urban area of a Mediterranean island. The results indicate a noise level reduction at 4 dB(A) when simulating the introduction of urban circular development actions