Heideggerian Marxism

An extended review of the English collection of Marcuse's essays and interviews on Heidegger that addresses the philosophical basis of a synthesis of Marx and Heidegger

Situating Martin Heidegger’s claim to a “productive dialogue” with Marxism

This critical review aims to more fully situate the claim Martin Heidegger makes in ‘Letter on Humanism’ that a “productive dialogue” between his work and that of Karl Marx is possible. The prompt for this is Paul Laurence Hemming’s recently published Heidegger and Marx: A Productive Dialogue over the Language of Humanism (2013) which omits to fully account for the historical situation which motivated Heidegger’s seemingly positive endorsement of Marxism. This piece will show that there were significant external factors which influenced Heidegger’s claim and that, when seen within his broader corpus, these particular comments in “Letter on Humanism” are evidently disingenuous, given that his general opinion of Marxism can only be described as vitriolic. Any attempt to explore how such a “productive dialogue” could be construed must fully contextualise Heidegger’s claim for it. This piece will aim to do that, and more broadly explore Heidegger’s general opinion of Marxism

Eco-aesthetic dimensions: Herbert Marcuse, ecollogy and art

In his last book, The Aesthetic Dimension (1978), Marcuse argued that a concern for aesthetics is justified when political change is unlikely. But the relation between aesthetics and politics is oblique: “Art cannot change the world, but it can contribute to changing the consciousness … of the men and women who could change the world.” (p. 33). Marcuse also linked his critique of capitalism to environmentalism in the early 1970s: “the violation of the Earth is a vital aspect of the counterrevolution.” (Ecology and Revolution, in The New Left and the 1960s, Collected Papers 3, 2005, p. 173). This article revisits Marcuse’s ideas on aesthetics and ecology, and reviews two recent art projects which engage their audiences in ecological issues: The Jetty Project (2014) by Wolfgang Weileder—which used recycled material and community participation to construct a temporary monument within a wider conservation project on the Tyne, N-E England—and Fracking Futures by HeHe (Helen Evans and Heiko Hansen)—which turned the interior of the gallery at FACT, Liverpool, into what appeared to be a fracking site. The aim is not to evaluate the projects, nor to test the efficacy of Marcuse’s ideas, more to ask again whether art has a role in a shift of attitude which might contribute to dealing with the political and economic causes of climate change

Cultural consumption and the myth of ‘life-style’

The concept of ‘life-style’ seems to have been thoroughly naturalised, both academically and in common parlance.There is little critical interrogation of what ‘life-style’ involves, beyond its connection to cultural and aesthetic aspects of consumption. What are the implications of accepting this culturalised description of consumption and its shorthand designation, ‘lifestyle’? This polemical paper interrogates both the linguistic and conceptual challenges associated with the term, and argues that it acts to efface and erase important social differences of wealth, opportunity, class, gender and ethnicity, as well as obscuring global and historical inequalities

Taking great pains: critical theory, affective pedagogies and radical democracy

The consolidation of neoliberal capitalism over the past decade has been intense, as has the articulation of critical and creative responses to it. One of the most remarkable is the turn towards forms of political resistance that seek liberation from the logics of state and capital while – or through – simultaneously creating alternative, radically democratic modes of existence. Many of these draw on anarchistic and autonomist traditions of critical theory which assert the possibility of prefiguring alternative political projects as well as critiquing existing ones, thus appearing to transcend what Herbert Marcuse described as a ‘vicious circle’ of liberation (1964, 1967). We have thus seen a proliferation of work on problems of prefigurative politics, autonomy, co-operation and self-valorisation; significantly, there is renewed attention to pedagogy in critical theory and as a political practice. However, there is still little attention to the affective and social labour that this type of prefigurative theory and practice requires, or to the systemic critique of the conditions of possibility for it to constitute a challenge to neoliberalism. My concern is that these lacunae can lead to misinterpretations of the meaning of radical democracy and of its possibilities and limitations as a challenge to the logics of neoliberal capitalism and other forms of dehumanising power. In this paper, I draw on work with British-based cultural workers who are active in radical-democratic projects to illustrate how bringing practical work into conversation with critical theories of political subjectivity, on the one hand, and theories of affective pedagogy and politics, on the other, can contribute to strengthening both theories and practices of radical democracy

On the attenuation coefficient of monomode periodic waveguides

It is widely accepted that, on ensemble average, the transmission T of guided modes decays exponentially with the waveguide length L due to small imperfections, leading to the important figure of merit defined as the attenuation-rate coefficient alpha = -/L. In this letter, we evidence that the exponential-damping law is not valid in general for periodic monomode waveguides, especially as the group velocity decreases. This result that contradicts common beliefs and experimental practices aiming at measuring alpha is supported by a theoretical study of light transport in the limit of very small imperfections, and by numerical results obtained for two waveguide geometries that offer contrasted damping behaviours

Spartan Daily, March 13, 1972

Volume 59, Issue 80https://scholarworks.sjsu.edu/spartandaily/5593/thumbnail.jp