Swann's way

The greatest French literary masterpiece of all time is now available as a graphic novel. Proust's oceanic novel 'In Search of Lost Time' looms over twentieth-century literature as one of the greatest, yet most endlessly challenging, literary experiences

Les plaisirs et les jours

Copia digital. Valladolid : Junta de Castilla y León. Consejería de Cultura y Turismo, 201

Samuel Beckett’s Krapp’s Last Tape: Remembering Kant, Forgetting Proust

This article draws on Samuel Beckett’s recently published letters and archival scholarship to consider the place of Immanuel Kant’s critical epistemology within Beckett’s early thinking and his subsequent works. Beginning from Beckett’s engagement with Kant’s Critique of Pure Reason, demonstrated by notes taken from Wilhelm Windelband’s A History of Philosophy between 1932 and 1933, excerpts from Jules de Gaultier’s From Kant to Nietzsche in the “Whoroscope” Notebook, and Beckett’s acquisition of Immanuel Kants Werke in 1938, I offer a close analysis of the philosophical underpinnings of Beckett’s parody of Proust’s À la recherche du temps perdu in Krapp’s Last Tape. The larger purpose of this article is to argue that a critique of metaphysical thought can be found in Beckett’s work and to demonstrate that Kant’s influence as a philosophical source of this critique has been largely overlooked in Beckett criticism