On Narrative: An Interview with Roland Barthes

his article presents a dialogue between Roland Barthes and Paolo Fabbri, which took place on 18 December 1965 in Florence, Italy. Barthes offers an engaging account of his structuralist approach to narrative, as was later published in essay form, ‘Introduction to the Structural Analysis of Narrative’, included in a special issue of Communications (Issue 8, 1966). In a cordial exchange with Fabbri, Barthes provides a more candid presentation of method than found in print, along with critical reflection of the underlying importance of the structuralist approach, as perceived at the time. The interview took place as part of a small conference on narrativity. Participants included Algirdas Julien Greimas, Claude Bremond, Umberto Eco, Jules Gritti, Violette Morin, Christian Metz, and Tzvetan Todorov. Subsequently, a number of these participants contributed articles to the same issue of Communications, on the structural analysis of narrative

Idylls of socialism : the Sarajevo Documentary School and the problem of the Bosnian sub-proletariat

This historical overview of the Sarajevo Documentary School considers the films, in the light of their recent re-emergence, as indicative of both the legacy of socialist realism (even in the context of Yugoslav media) and attempted social engineering in the Bosnia of the 1960s and 1970s. The argument is made that the documentaries, despite their questionable aesthetic status (in respect of cinma-vrit and ethnography) and problematic ideological strategies and attempted interventions, document a history and offer insights that counter the prevailing revisionist trends in the presentation of Eastern and Central European history

The efficiency of chemical detectors.

Chemical detectors (“sensors”) usually consist of a two-dimensional array of receptors exposed to the solution to be tested, from whose output the bulk solution concentration of the analyte of interest can be determined. Both input and output—the number of analyte particles striking the array in a given interval of time, and the number captured—are countable events. The gain is the quotient of these two numbers, and the detectivity the quotient of their fluctuations. The gain and detectivity provide a universal framework for comparing different types of sensors, and in which the desirable properties of sensors, e.g. their ability to detect very weak signals (“sensitivity”), and to detect the analyte in the presence of a large excess of other molecules (“selectivity”), can be related to various physico-chemical parameters such as the packing density and size of receptors, and their affinity for the analyte. Analyte multivalence, although formally a source of inefficiency, is very useful for making the sensor more resistant to spurious chemical noise. An important result is that chemical fog engendered by a huge excess of nonspecifically binding particles has no effect on the detectivity, provided that the nonspecific interaction is reversible

Neutral Life: Roland Barthes' late work

As the introduction and lead article for a special section of Theory, Culture & Society, ‘Neutral Life: Critical Reflections on the Late Writings of Roland Barthes’, this article offers an overview of the ‘new’ Barthes that emerges from the late writings and recent ‘Barthes Studies’. The account centres upon the posthumous publication of Barthes’ three key lecture courses delivered at the Collège de France, at the end of 1970s, which reflect his preoccupation with the everyday, yet reveal a new degree of sophistication, both formal and conceptual. Presented in their original note form, the lectures present perhaps the clearest (if incomplete) affirmative project of Barthes’ entire career. The Neutral in particular is pivotal in understanding an ethics of the late works. While Barthes is perhaps most cited for his rumination on the temporality of the photograph, the lecture courses give rise to an ethics of space and distance, rather than of time and telos. Crucially, for Barthes, the Neutral is not neutrality; it is not divestment, but ‘an ardent, burning activity’. In establishing Barthes’ ethics of a Neutral Life, the articles closes – with reference to Derrida’s mourning of Barthes – with a reminder to read Barthes again, or rather a reminder of our current postponed reading of him

Image critique and the fall of the Berlin Wall

Although we are now accustomed to watching history unfold live on the air, the fall of the Berlin Wall was one of the first instances when history was produced on television. Inspired by the Wall and its powerful resonances, Sunil Manghani’s breakthrough study presents the new critical concept of “image critique,” a method of critiquing images while simultaneously using them as a means to engage with contemporary culture. Manghani examines current debates surrounding visual culture, ranging from such topics as Francis Fukuyama’s end of history thesis to metapictures and East German film. The resulting volume is an exhilarating interweaving of history, politics, and visual cultur

Quality assurance: Importance of systems and standard operating procedures

It is mandatory for sponsors of clinical trials and contract research organizations alike to establish, manage and monitor their quality control and quality assurance systems and their integral standard operating procedures and other quality documents to provide high-quality products and services to fully satisfy customer needs and expectations. Quality control and quality assurance systems together constitute the key quality systems. Quality control and quality assurance are parts of quality management. Quality control is focused on fulfilling quality requirements, whereas quality assurance is focused on providing confidence that quality requirements are fulfilled. The quality systems must be commensurate with the Company business objectives and business model. Top management commitment and its active involvement are critical in order to ensure at all times the adequacy, suitability, effectiveness and efficiency of the quality systems. Effective and efficient quality systems can promote timely registration of drugs by eliminating waste and the need for rework with overall financial and social benefits to the Company

The art of Paolo Cirio: exposing new myths of big data structures

This article examines the work of Internet activist and artist Paolo Cirio, whose practice intersects with matters of copyright, privacy, transparency, and corporate finance. His project Loophole for All, for example, exposes the practice of tax evasion in the Cayman Islands by counterfeiting Certificate of Incorporation documents. An important aspect of Cirio’s work is how he names himself in the process. Placed within our contemporary ‘data turn’, his work is framed critically in this article in terms of a ‘new structuralist’ account of culture and society. The article attends to the view that power increasingly comes through the algorithm, but argues we risk reifying so-called generative rules, which may simply be algorithms out of sight. Cirio’s art practice helps focus on what it means to make a critique of contemporary and ubiquitous algorithm structures. As part of which, the article considers how ‘anonymity’ underlines subversive art practices of the twentieth century and contemporary protest groups, but which arguably undermines attempts to affect change

Image Studies: Theory and Practice

In order to better understand images and visual culture the book seeks to bridge between theory and practice; asking the reader to think critically about images and image practices, but also simultaneously to make images and engage with image-makers and image-making processes. Looking across a range of domains and disciplines, we find the image is never a single, static thing. Rather, the image can be a concept, an object, a picture, or medium – and all these things combined. At the heart of this book is the idea of an ‘ecology of images’, through which we can examine the full ‘life’ of an image – to understand how an image resonates within a complex set of contexts, processes and uses.Part 1 covers theoretical perspectives on the image, supplemented with practical entries on making, researching and writing with images.Part 2 explores specific image practices and cultures, with chapters on drawing and painting; photography; visual culture; scientific imaging; and informational images.A wide range of illustrations complement the text throughout and each chapter includes creative tasks, keywords (linked to an online resource), summaries and suggested further reading. In addition, each of the main chapters include selected readings by notable authors across a range of subject areas, including: Art History, Business, Cognitive Science, Communication Studies, Infographics, Neuroscience, Photography, Physics, Science Studies, Social Semiotics, Statistics, and Visual Culture