8 research outputs found

    āļāļēāļĢāļ­āļ­āļāđāļšāļšāđāļĨāļ°āļžāļąāļ’āļ™āļēāđ‚āļ•āđŠāļ°āļāļēāļĢāđ€āļĢāļĩāļĒāļ™āļāļēāļĢāļŠāļ­āļ™āļ™āļąāļāđ€āļĢāļĩāļĒāļ™āļ—āļĩāđˆāļšāļāļžāļĢāđˆāļ­āļ‡āļ—āļēāļ‡āļ”āđ‰āļēāļ™āļĢāđ‰āļēāļ‡āļāļēāļĒāļŦāļĢāļ·āļ­āļŠāļļāļ‚āļ āļēāļžāđƒāļ™āļĢāļ°āļ”āļąāļšāļ‚āļąāđ‰āļ™āļ­āļ™āļļāļšāļēāļĨ

    Get PDF
    āļĢāļēāļĒāļ‡āļēāļ™āļ§āļīāļˆāļąāļĒ -- āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļĢāļēāļŠāļĄāļ‡āļ„āļĨāļžāļĢāļ°āļ™āļ„āļĢ, 2554This research was designed and development of learning and teaching’ s desk for disable child in kindergarten. It has been studied to provide a consistent and suitable for disability children. There are three activities this study such as extra experience, creative and educational games activities. From all three activities as mentioned, the disability children need to use with learning’ s desk. But the form of learning’ s desk in the present can not support three groups of disability children or example, the disability children who used them mouth, foot and hand for writing. This research was planned to create the concept of design to product the table which used for the children in kindergarten. Who have problem in physical and movement dissability. It is designed to take advantage of utilization, pattern, color and material which were according to a product design and also suitable for children who are disabilities. The results showed that there is satisfaction to the table which can adjusted the level for the utilization. In additional there are bag at the table for storage of stationary, book, and also there are slot for pencil and palette. There are humeral symbol, Thai and English font on the table. This table is a safe material, disassemble and light weight. There are the wheels at below of a table for easy mobility. The bag can remove and washable. Table structure and size were appropriate, modern, suitable for the learning activities, Leg of table made of stainless material and other parts made of high strength materials.Rajamangala University of Technology Phra Nakho

    āļāļēāļĢāđ€āļ•āļĢāļĩāļĒāļĄāļāļĢāļ°āļ”āļēāļĐāļ„āļĢāļēāļŸāļ—āđŒāļˆāļēāļāļœāļąāļāļ•āļšāļŠāļ§āļē āđƒāļšāļŠāļąāļšāļ›āļ°āļĢāļ” āđāļĨāļ°āļāļēāļšāļāļĨāđ‰āļ§āļĒ

    No full text
    āļ§āļēāļĢāļŠāļēāļĢāļ§āļīāļŠāļēāļāļēāļĢāđāļĨāļ°āļ§āļīāļˆāļąāļĒ āļĄāļ—āļĢ.āļžāļĢāļ°āļ™āļ„āļĢ, 11 (1) : 15-22This research had a main purpose for studying the utilization of water hyacinth as the key component of paper production mixed with the agricultural waste as pineapple leaves and leaf sheath of banana tree. The paper pulps were prepared from 5 g/l NaOH at 90-95oC for 3 hours, then bleaching with 5 g/l Hydrogen peroxide at 90-95oC for 30 minutes. The whole pulps were detached improvement with 5g/l Acramine 3187 before paper establishment production. Finally, the strength of obtaining papers was consideration and competition to any craft paper type. As the results, the appropriate ratio of paper was 70% water hyacinth (stem), 10% pineapple leaves, and 20% leaf sheath of banana tree. It had 31.19 kN/m2 for bursting strength, tearing strength as 309.17 mN, and 0.49 mm thickness. The basis weight was 183Âą5 g/m2. The achieved paper was equivalent as KI craft paper. It was presented for packaging boxes and other procedures.Rajamangala University of Technology Phra Nakho

    āļāļēāļĢāļœāļĨāļīāļ•āļāļĢāļ°āļ”āļēāļĐāļœāļąāļāļ•āļšāļŠāļ§āļēāđ€āļžāļ·āđˆāļ­āļ‡āļēāļ™āļšāļĢāļĢāļˆāļļāļ āļąāļ“āļ‘āđŒ

    Get PDF
    āļĢāļēāļĒāļ‡āļēāļ™āļ§āļīāļˆāļąāļĒ -- āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļĢāļēāļŠāļĄāļ‡āļ„āļĨāļžāļĢāļ°āļ™āļ„āļĢ, 2554āļ‡āļēāļ™āļ§āļīāļˆāļąāļĒāļ™āļĩāđ‰āđ€āļĢāļ·āđˆāļ­āļ‡āļāļēāļĢāļžāļąāļ’āļ™āļēāļāļĢāļ°āļ”āļēāļĐāļœāļąāļāļ•āļšāļŠāļ§āļēāđ€āļžāļ·āđˆāļ­āļ‡āļēāļ™āļšāļĢāļĢāļˆāļļāļ āļąāļ“āļ‘āđŒ āđ„āļ”āđ‰āđāļ™āļ§āļ„āļīāļ”āļˆāļēāļāļēāļĢāļ™āļģāļœāļąāļāļ•āļšāļŠāļ§āļēāļĄāļēāđƒāļŠāđ‰āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒ āđāļ•āđˆāļˆāļēāļāļāļēāļĢāļĻāļķāļāļĐāļēāļ—āļĩāđˆāļœāđˆāļēāļ™āļĄāļēāļžāļšāļ§āđˆāļēāļ›āļĢāļīāļĄāļēāļ“āđ€āļĒāļ·āđˆāļ­āļœāļąāļāļ•āļšāļŠāļ§āļēāļĄāļĩāļ™āđ‰āļ­āļĒāļˆāļķāļ‡āļĄāļĩāđāļ™āļ§āļ„āļīāļ”āļ—āļĩāđˆāļˆāļ°āđ€āļžāļīāđˆāļĄāļ›āļĢāļīāļĄāļēāļ“āđ€āļĒāļ·āđˆāļ­āļ”āđ‰āļ§āļĒāļ§āļąāļŠāļ”āļļāđ€āļŦāļĨāļ·āļ­āđƒāļŠāđ‰āļˆāļēāļāļāļēāļĢāđ€āļāļĐāļ•āļĢāđ€āļŠāđˆāļ™āļŠāļąāļšāļ›āļ°āļĢāļ”āđāļĨāļ°āļāļĨāđ‰āļ§āļĒ āļāļēāļĢāļ—āļ”āļĨāļ­āļ‡āļ—āļģāđ‚āļ”āļĒāļāļēāļĢāđ€āļ•āļĢāļĩāļĒāļĄāđ€āļŠāđ‰āļ™āđƒāļĒāļ”āđ‰āļ§āļĒāđ‚āļ‹āđ€āļ”āļĩāļĒāļĄāđ„āļŪāļ”āļĢāļ­āļāđ„āļ‹āļ”āđŒāļ›āļĢāļīāļĄāļēāļ“ 10 g/1 āļ­āļļāļ“āļŦāļ āļđāļĄāļī 100 C āđ€āļ§āļĨāļē 3 āļŠāļąāđˆāļ§āđ‚āļĄāļ‡ āļŸāļ­āļāđ€āļĒāļ·āđˆāļ­āļ”āđ‰āļ§āļĒāđ„āļŪāđ‚āļ”āļĢāđ€āļˆāļ™āđ€āļ›āļ­āļĢāđŒāļ­āļ­āļāđ„āļ‹āļ”āļšāļ›āļĢāļīāļĄāļēāļ“ 5 g/1 āļ­āļļāļ“āļŦāļ āļđāļĄāļī 90 C āđ€āļ§āļĨāļē 30 āļ™āļēāļ—āļĩ āđāļĨāļ°āđ€āļžāļīāđˆāļĄāļ„āļļāļ“āļŠāļĄāļšāļąāļ•āļīāļ”āđ‰āļēāļ™āļāļēāļĢāļāļĢāļ°āļˆāļēāļĒāđ€āļĒāļ·āđˆāļ­āļ”āđ‰āļ§āļĒāļŠāļēāļĢāļŠāđˆāļ§āļĒāļāļĢāļ°āļˆāļēāļĒāđ€āļĒāļ·āđˆāļ­ (Acramin) 5 g/1 āđāļĨāļ°āļŠāļēāļĢāđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāđāļ‚āđ‡āļ‡āđāļĢāļ‡ (āļ™āđ‰āļģāļ–āđˆāļēāļ™āļāļąāļĄāļĄāļąāļ™āļ•āđŒ) 5%w/v āļˆāļēāļāļāļēāļĢāļĻāļķāļāļĐāļēāļžāļšāļ§āđˆāļē āļāļĢāļ°āļ”āļēāļĐāļ—āļĩāđˆāļĄāļĩāļ„āļļāļ“āļŠāļĄāļšāļąāļ•āļīāđ€āļŦāļĄāļēāļ°āļŠāļĄāļ•āđˆāļ­āļāļēāļĢāļŠāļģāđ„āļ›āđƒāļ™āļ‡āļēāļ™āļšāļĢāļĢāļˆāļļāļ āļąāļ“āļ‘āđŒāđ„āļ”āđ‰ āļ­āļ‡āļ„āđŒāļ›āļĢāļ°āļāļ­āļšāļ”āļąāļ‡āļ™āļĩāđ‰ āļ›āļĢāļīāļĄāļēāļ“āđ€āļŠāđ‰āļ™āđƒāļĒāļāļąāļāļ•āļšāļŠāļ§āļē 70 % āđ€āļŠāđ‰āļ™āđƒāļĒāļŠāļąāļšāļ›āļ°āļĢāļ” 10 % āđ€āļŠāđ‰āļ™āđƒāļĒāļāļĨāđ‰āļ§āļĒ 20 % āđ€āļžāļīāđˆāļĄ āļ„āļļāļ“āļŠāļĄāļšāļąāļ•āļīāļ”āđ‰āļēāļ™āļāļēāļĢāļāļĢāļ°āļˆāļēāļĒāļ•āļąāļ§āļ”āđ‰āļ§āļĒ Acramin 5 g/1 āđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāđāļ‚āđ‡āļ‡āđāļĢāļ‡āļ”āđ‰āļ§āļĒ āļ™āđ‰āļģāļ–āđˆāļēāļ™āļāļąāļĄāļĄāļąāļ™āļ•āđŒ 5 %w/v āļāļĢāļ°āļ”āļēāļĐāļ—āļĩāđˆāđ„āļ”āđ‰āđ€āļ—āļĩāđˆāļĒāļĄāđ€āļ—āđˆāļēāļ„āļļāļ“āļŠāļĄāļšāļąāļ•āļīāļ‚āļ­āļ‡āļāļĢāļ°āļ”āļēāļĐāļ„āļĢāļēāļŸāļ—āđŒ K1 āļ„āļ·āļ­ āļ„āļ§āļēāļĄāļŦāļ™āļē 0.537 āļĄāļīāļĨāļĨāļīāđ€āļĄāļ•āļĢ āļ„āļ§āļēāļĄāļ•āđ‰āļēāļ™āļ—āļēāļ‡āđāļĢāļ‡āļ”āļąāļ™āļ—āļ°āļĨāļļ 35.4 āļāļīāđ‚āļĨāļ™āļīāļ§āļ•āļąāļ™āļ•āđˆāļ­āļ•āļēāļĢāļēāļ‡āđ€āļĄāļ•āļĢ āļ„āļ§āļēāļĄāļ„āļ‡āļ—āļ™āļ•āđˆāļ­āļāļēāļĢāļ‰āļĩāļ”āļ‚āļēāļ” 356 āļĄāļīāļĨāļĨāļīāļ™āļīāļ§āļ•āļąāļ™ āļ™āđ‰āļģāļŦāļ™āļąāļ 185 āļāļĢāļąāļĄāļ•āđˆāļ­āļ•āļēāļĢāļēāļ‡āđ€āļĄāļ•āļĢ āļĄāļĩāļ„āļ§āļēāļĄāđ€āļŦāļĄāļēāļ°āļŠāļĄāļ—āļĩāđˆāļˆāļ°āļ™āļģāđ„āļ›āđƒāļŠāđ‰āļ‡āļēāļ™āđ€āļ›āđ‡āļ™āļāļĨāđˆāļ­āļ‡āļŠāļīāļ™āļ„āđ‰āļēāļ—āļąāđˆāļ§āđ„āļ› āļŦāļĢāļ·āļ­āļāļĨāđˆāļ­āļ‡āļŠāļģāđ€āļĢāđ‡āļˆāļĢāļđāļ›Rajamangala University of Technology Phra Nakho

    āļāļēāļĢāļžāļąāļ’āļ™āļēāļ™āļ§āļąāļ•āļāļĢāļĢāļĄāļĢāļđāļ›āđāļšāļšāļšāļĢāļĢāļˆāļļāļ āļąāļ“āļ‘āđŒāļŠāļģāļŦāļĢāļąāļšāļœāđ‰āļēāđ„āļŦāļĄāļ™āļēāđ‚āļžāļ˜āļīāđŒ āļšāļļāļĢāļĩāļĢāļąāļĄāļĒāđŒ āļ āļēāļĒāđƒāļ•āđ‰āđāļœāļ™āļ‡āļēāļ™āļ§āļīāļˆāļąāļĒāļāļēāļĢāļžāļąāļ’āļ™āļēāļ™āļ§āļąāļ•āļāļĢāļĢāļĄāļĢāļđāļ›āđāļšāļšāļœāļĨāļīāļ•āļ āļąāļ“āļ‘āđŒāļŠāļīāđˆāļ‡āļ—āļ­ (OTOP) āļˆāļēāļāļœāđ‰āļēāđ„āļŦāļĄāļ™āļēāđ‚āļžāļ˜āļīāđŒ āļšāļļāļĢāļĩāļĢāļąāļĄāļĒāđŒ āļ”āđ‰āļ§āļĒāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāđ€āļŠāļīāļ‡āļ­āļļāļ•āļŠāļēāļŦāļāļĢāļĢāļĄāļŠāļđāđˆāļŠāļēāļāļĨ (AEC)

    Get PDF
    āļĢāļēāļĒāļ‡āļēāļ™āļ§āļīāļˆāļąāļĒ -- āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļĢāļēāļŠāļĄāļ‡āļ„āļĨāļžāļĢāļ°āļ™āļ„āļĢ, 2558This research aims to develop innovative packaging and product from silk of Na Pho Buriram and to transfer technology and develop innovative packaging format silk products Na Pho Buriram, To develop community standard include Textile products and souvenirs. Population and sample in this research is Silk Weaving Group Ban Na Pho Buriram province. The research is the silk Na Po Box packaging requirements the format of the packaging box, branded the symbol of the initiative of HRH Princess Sirindhorn's. Chakri. Thailand's symbol Emboss gold Focus style simple, Product details and specifications about the history of a plate inserted inside a detailed specification of the graphics package by community standard (the assistant) in the packaging textile. The graphics on the packaging using the copier, The printer on paper and stickers are saving strategies and to reduce production costs in accordance with the potential and the resources available within the community. The main materials used for the construction of the packaging is paper, the material consists of a ribbon, rope and plastic sheeting. Method of producing packaging structures are molded by hand and structural packaging not glued.Rajamangala University of Technology Phra Nakho

    āļāļēāļĢāļžāļąāļ’āļ™āļēāļœāļĨāļīāļ•āļ āļąāļ“āļ‘āđŒāļˆāļēāļāļœāđ‰āļēāļ‚āļēāļ§āļĄāđ‰āļēāļ—āļ­āļĄāļ·āļ­ āļ­āđˆāļēāļ‡āļŦāļīāļ™ āļŠāļĨāļšāļļāļĢāļĩ

    Get PDF
    āļĢāļēāļĒāļ‡āļēāļ™āļ§āļīāļˆāļąāļĒ -- āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļĢāļēāļŠāļĄāļ‡āļ„āļĨāļžāļĢāļ°āļ™āļ„āļĢ, 2561The development of loincloth at Ang-Hin Chonburi Stone Basin is to study the pattern of hand-woven cloth and to develop hand-woven cloth products. The area of study cloth loincloth and products of cloth loom hand Chonburi to be developed into a bag product. The results showed that. The information will be used to develop the luggage bag product three patterns of plaid pattern were studied Include Nok Ka Ta pattern, Sai Pla Lai pattern and square pattern. The unique colour of the weaving group for design the bag has been developed in a variety of styles and functionalities that can accommodate five types of adolescent behavior. From the focus on the use of working age to study the behavior of the use of existing luggage and increase the usefulness of the use of behavior all models are versatile. Both can be transported for tourism can be inserted. There is a selection of materials other than loincloth to create a variety of materials, including sewing, so that the parts of the bag are strong, especially the ear piece, which requires heavy weight and is often damaged before. The first Choosing colors in cool colors. The majority of the sample chose Include Nok Ka Ta pattern (42.5%); they answered that cool tone loincloth was the most suitable tone for producing bag product(65%); the design was the most important factor affecting the purchase decision(60%); the sample mostly used bag when they worked (70%); the useful life of each bag was 2-3 years ( 52.25%); the sample decided to purchase the new bag because the old one was damaged (45%); the most wanted item for the sample was tote bags (42.5%); the suitable material to produce the bag product was leather (61.25%).Rajamangala University of Technology Phra Nakho

    āļāļēāļĢāļĻāļķāļāļĐāļēāļ„āļ§āļēāļĄāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡āđāļĨāļ°āļāļēāļĢāļ”āļģāļĢāļ‡āļ­āļĒāļđāđˆāļ‚āļ­āļ‡āļœāđ‰āļēāļ‹āļīāđˆāļ™āļ•āļĩāļ™āļˆāļāđ„āļ—āļĒāļ§āļ™ āļˆāļąāļ‡āļŦāļ§āļąāļ”āļŠāļĢāļ°āļšāļļāļĢāļĩ

    Get PDF
    āļĢāļēāļĒāļ‡āļēāļ™āļ§āļīāļˆāļąāļĒ -- āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļĢāļēāļŠāļĄāļ‡āļ„āļĨāļžāļĢāļ°āļ™āļ„āļĢ, 2561This research is a qualitative research. The objective is to study and analyze information about The pattern of Pha Sin Tin Jok (Traditionally Sarong )Thai Yuan Saraburi cloth including the changes and the existence of the Thakok Thai Sarong Saraburi in the present (2017 - 2018). Using the concept of social and cultural change and the theory of globalization concepts for analysis. Research area is Mueang District and Sao Hai District Saraburi. The research population is Weaving sarongs Sarong user and local sages. Analytical study issues are Clothing culture in Thailand, Saraburi Promotion from the government Pha Sin Tin Jok (Traditionally) Sarong Thai Yuan Saraburi style and pattern weavers and wisdom transfer. The research results are Saraburi is a province where Thai Yuan people from Chiang Saen Chiang Rai province Settled in the reign of King Rama I of Rattanakosin Due to war and have inherited the lineage until now. In Sao Hai District Saraburi is the district where most Thai people live and has a unique Lanna cultural foundation Whether language, lifestyle, food and beliefs In the folk textile Has a unique pattern that has been passed down for over 200 years. Clothing culture in Thailand, Saraburi There is also a conservative costume. Especially on special occasions The pattern of Pha Sin Tin Jok (Traditionally Sarong )Thai Yuan Saraburi cloth remains the same style. From the era that migrated from Chiang Saen In addition, there are other sarong fabrics that are used in everyday life, namely woven sarong muk kai and kan. There is a succession of sarong weaving wisdom from the generation to the present, most of which are woven with flowers. In the ancient pattern, there is a conservation of ancient Pha Sin Tin Jok Thai Yuan Saraburi by re-woven according to the original pattern from the ancient Thai sarong that remains in Saraburi. Pha Sin Tin Jok Thai Yuan Saraburi, has been promoted by various government agencies. There may be changes in the times that have changed with the adaptation to various product designs or the application of sarong work to the era. The existence of Thai people in Saraburi has seen the value of wisdom in their ethnicity. Together with promotion from various sectors That encourages Thai people to be proud Inspired in the conservation of Thai culture and arts. The establishment of Thai Folk Culture Hall in Saraburi The new weaving of the Sarawak sarong from the ancient Pha Sin Tin Jok Thai Yuan Saraburi style Including the floating market That shows the existence of the Thai culture of Saraburi living.Rajamangala University of Technology Phra Nakho
    corecore