What is Early Cinema?

From Dossier: Early Cinema in South Asia: The Problem of the Archiv

Dossier: The Fan as Doppelgänger

Anupama Kapse and Meheli Sen, Guest Editors Introduction Monika Mehta Fan and its Paratexts Neepa Majumdar Embodiment and Stardom in Shahrukh Khan’s Fan Nilanjana Bhattacharjya Doubling Offscreen and Onscreen: Queering the Star and the Fan in Fan Meheli Sen The Mirror of Desire: Queerness, Fan, and the Riddles of Paheli Anupama Kapse Double Trouble: SRK, Fandom, and Special Effects Priyadarshini Shanker Interview with Manu Anand, Director of Photography of Fa

Visual Encounters in "Lost and Delirious" and "Blue is the Warmest Color"

The essay focuses on the surge of homosexual desire in adolescent girls as dealt with 'Lost and Delirious' (2001), a film of Léa Pool, and 'Blue is the Warmest Color' (2010), a graphic novel by young French artist Julie Maroh, adapted by French-Tunisian Director Adbellatif Kechiche as 'La Vie d'Adèle' (2013). The methodology of visual culture is to describe the tensions between visual and verbal representation