TARI TANDUAK DALAM KEHIDUPAN MASYARAKAT NAGARI LUBUAK TAROK KABUPATEN SIJUNJUNG: SUATU KAJIAN SEMIOTIKA

Tanduak dance is a traditional performing art form that is performed within the royal court, and without this dance, guests are not allowed to enter the kingdom. Over time, the dance has also been performed in community events, under the supervision of the village head. The existence of Tanduak dance is recognized by the local community as the identity of the village and a genuine cultural product of Nagari Lubuak Tarok, carrying special meanings in the lives of its supporting community. These meanings include the four colors of fabric used in the Tanduak props and the twenty-two mirrors, all of which hold significance in the dance. The aim of this research is to explore and understand the meanings embedded in Tanduak dance in Nagari Lubuak Tarok. The research method used is qualitative, collecting data through observation and studying traditional arts, particularly Tanduak dance and its environment, audio and visual documentation, and interviews with artists and the community. This research is analyzed using semiotic theory. In general, this study found the extent to which artists foster solidarity through the use of universal symbols in their artistic activities

STUDI GAYA TARI TANDUAK DI NAGARI LUBUAK TAROK KABUPATEN SIJUNJUNG PROVINSI SUMATERA BARAT

Tanduak dance is a traditional performing art form whose movements are based on silek movements that live in the target. Tanduak dance can be categorized as a target style dance, because the text of tanduak dance is an adaptation of the silek that developed in the village. This dance is present and danced in the royal environment, if this dance is not performed then guests will not be able to enter the kingdom. Over time, this dance was present at the village event, but still under the supervision of the penghulu. Its existence is also recognized by the local community as the identity of the village, as well as the original cultural product of Nagari Lubuak Tarok which has a special meaning in the lives of its supporters. The purpose of this research is to look at the stylistic study of tanduak dance in Nagari Lubuak Tarok. The method used is qualitative method, data collection is done through observation and observing traditional arts, especially tanduak dance and its environment, audio and visual documentation and interviews with a number of artists and the community. This research was analyzed with style theory. In general, this research obtained results in the form of the extent to which the artists gave birth to silat movements that had undergone a stylization process in creating a tanduak dance movement with the use of symbols that are universal,

SASARAN SILEK JUNGUIK SATI DALAM LANGKAH AMPEK NAGARI BATU TABA KABUPATEN TANAH DATAR

This research aims to understand the preservation of the "langkah ampek" tradition and the method of character formation among the younger generation in the Batu Taba Nagari, Tanah Datar District, and its impact on the development of silek (a traditional martial art) today. The research method used in this study is qualitative research with a descriptive analysis approach, where all the data collected in the field are compiled, described, and analyzed according to the discussed issues. The cultural theory by Jacobus Ranjabar is employed to analyze this research. In line with the research object, the results reveal that pencak silat (martial arts) has its own unique style and characteristics in both offensive and defensive techniques. The rapid development of culture and technology has had an impact on the development of silat in the archipelago, leading to a decline in the interest of the younger generation in the development of this cultural art form, resulting in a gradual erosion of the culture over time. The local richness of various silat styles in Minangkabau, which are owned by the three regions (Luhak), namely Luhak nan Tuo/Tanah Datar, Luhak Agam, and Luhak 50 Koto, is one of the cultural treasures. The phenomenon of the development of traditional silek is concerning due to the decreasing interest of the younger generation. However, in the Batu Taba Nagari, Tanah Datar District, there is a considerable enthusiasm for silek, which is well-received by the local community. The target of Junguik Sati plays a role in shaping the character of the younger generation through the Langkah Ampek pattern

KEBERADAAN TARI GARIGIAKDI JORONG BALAI SABUAH NAGARI BATIPUAH ATEH KECAMATAN BATIPUAH

Penelitian ini membahas tentang Keberadaan tari Garigiak di Jorong Balai Sabuah Nagari Batipuah Ateh Kecamatan Batipuah. Metode penelitian yang digunakan adalah penelitiankualitatif bersifat deskriptif analisis. Teori dan pendapat yang digunakan untuk menelaah penelitian ini adalah teori fungsi menurut Soedarsono dan bentuk menurut Y. Sumandiyo Hadi, serta beberapa pendapat para ahli yang dijadikan sebagai landasan dalam penulisan. Tari Garigiak merupakan tari tradisional Nagari Batipuah Ateh yang geraknya terinspirasi dari gerak silek yaitu silek Parian. Tarian ini bisa tampil diluar lingkungan gaduang ketika mendapat izin dari Tuan Gadang Batipuah selaku niniak mamak dan orang yang dihormati di Nagari Batipuah.This research discusses about The Existence of Garigiak Dance in Balai Sabuah Corner, Batipuah Ateh Village, Batipuah Sub-district. Research method used is qualitative method that has descriptive analysis characteristic. Theory and opinion used to analyze this research is theory of form according to Soedarsono, theory of function according to Y. Sumandiyo Hadi, and several experts’ opinion used as theoretical framework in this writing. Garigiak dance is traditional dance of Batipuah Ateh Village that its movements are inspired from silek movement namely silek parian movement. This dance can be performed in the outside of gaduang environment when it receives permission from Tuan Gadang Batipuah as the respected Niniak Mamak (tribal leaders) in Batipuh area.