55 research outputs found
Conclusion
We are familiar with what critics and enthusiasts say about children's books. Less familiar to us is what children say. At Goldsmiths, University of London, we've devoted a module on our MA in Children's Literature to this very subject. Students devise projects which investigate how children respond to children's literature. Over some 10 weeks or so, they try out various 'interventions' which aim at producing responses from children, whether that's in talk, writing, drawing, drama or whatever way seems appropriate. Then they analyse what the children have said or done using a mix of tried and tested methods or applying new ones. Some of the best examples of these studies are in this book. They are superbly informative reads just as they are, but we hope that they will also inspire others to do the same. The more the better! (Back Cover Blurb, Michael Rosen
Research in depth - Multilingual Digital Storytelling
This research review charts the journey of the Critical Connections Multilingual Digital Storytelling Project (2012-ongoing) and how our research has contributed to debates in the field of multilingualism, storytelling and digital technology. What is it about this approach to learning that has continued to capture the interest of children and young people from very different backgrounds, cultures and experiences? How has digital storytelling changed the way children think of and use their languages? How has our understanding of multilingual digital storytelling changed over time
Deptford Storytelling Project 2020
The Deptford Storytelling Project 2020 was a novel experience for all those involved as we moved out of classrooms and schools and set up the project in the centre of the community. The project was run across different sites in Deptford: Deptford Cinema (a community-led cinema); the Albany (a performing arts centre); Deptford Lounge (a local library and community centre); and Goldsmiths, University of London. This placed the project in the heart of the community and opened up the experience to people from many different ages and backgrounds. The project proved immensely popular and after filling all the workshop places we had a long waiting list of people interested in becoming part of the multilingual community film-making project
Framing critical perspectives on migration, fairness and belonging through the lens of young peopleâs multilingual digital stories
This chapter aims to explore critical perspectives of young people on issues of migration, fairness and belonging. It seeks to address complex and pressing questions about identity, integration and inclusion and how young people develop literacy in all their languages. This chapter draws on research from a global 5-year project, Critical Connections: Multilingual Digital Storytelling (2012-2017), which worked across sites of learning, but perceived schools as basecamp for transformative pedagogy and young people as storytellers and innovators
Object narratives, imaginings and multilingual communities: young peopleâs digital stories in the making
This paper draws on research from a global 5-year project, Critical Connections: Multilingual Digital Storytelling (2012-2017), which links language and intercultural learning with literacy, active citizenship and the arts. A critical ethnographic approach was adopted in the research project and the multilingual digital stories were an integral part of the research process. With the projectâs focus on multilingualism and creation of bilingual digital texts, young people had to imagine how to use language in new contexts, uncover narratives around objects, and negotiate interfaces between different cultural landscapes. The research findings revealed the complexity of multilingual digital storytelling and how young people (aged 6-18 years old) learnt to become meaning makers discovering their own voices in unfamiliar contexts. Through these digital stories the young people forged strong links with the past and created new multilingual communities
Multilingual digital storytelling, museum artefacts and the arts: Creative pathways to language-and-culture learning
Our research developed out of our interest in how to re-engage young people with language learning and develop critical and creative engagement with digital technology. Building on 7 years of research into multilingual digital storytelling and work around museum artefacts (2012 -2019) we developed 3 key strands to be explored in the conference: experience, culture and identity; process and performance; and agency and dialogic thinking
The art of belonging: exploring the effects on the English classroom when poetry meets multilingual digital storytelling
This paper explores what happened in the English classroom when two innovative projects merged and spoken word poetry became part of multilingual digital storytelling. As a Spoken Word Educator and Teacher Educator, we wanted to explore the complexity of bringing together these multimodal art forms. Making a poem come to life though īŦlm is hard and the research presented here interrogates these processes through working with a group of 13â14 year old students in the English classroom. In the process of bringing together spoken word and multilingual digital storytelling, these students interrogate notions of belonging and uncover stories that matter through emotional and creative encounters with personal and cultural artefacts. These young people discover a shared imagery across languages and cultures and reclaim ownership over learning in the English classroom. Foregrounding spoken word and multilingualism in the English classroom had a transformative eīŦect on young peopleâs self-expression and imaginative thinking
A moving story from Dhaka to London: revealing vibrant identities in young peopleâs intercultural encounters with mobile art, embroidery and artefacts
This article presents three Bengali-English digital stories as vignettes and analyses young peopleâs intercultural encounters as a moving story between Dhaka and London. The research case study is part of an international project, Critical Connections: Multilingual Digital Storytelling (2012-present), which links language and intercultural learning with literacy, active citizenship and the arts. Researching and writing together, the lead Bengali teacher and co-director of the project interrogate how young people open up spaces for Sylheti, Bengali and English through intercultural encounters and the making of their digital stories. The study centres on an after-school Bengali club in a mainstream school.
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An exploration of how childrenâs language learning can be transformed when teachers place creativity and stories at the centre of the curriculum and experiment with digital storytelling in the classroom
This article examines how the teaching of languages can be transformed across the whole-school primary curriculum when teachers and researchers collaborate to make space for creativity and stories. The research presented here looks carefully at this process of transformation and how primary school teachers can become motivated to teach languages in more open-ended and creative ways. The researchers situate the debate within the fractured emergence of Primary Modern Foreign Languages (PMFL) as a subject in England and the lack of teachersâ proficiency in languages beyond English. In many primary school contexts, the teaching of languages is repetitive and highly formulaic and the researchers wanted to find novel ways to motivate teachers and children to learn languages. The researcher and teacherâs collaborative work on the curriculum became part of the Critical Connections Multilingual Digital Storytelling Project (2012-ongoing) where stories and digital technology are used to re-engage language learners. The children (7-8 year olds) in this case study created a digital story Wir gehen auf Drachenjagd (Weâre Going on a Dragon Hunt) for an international digital storytelling festival (June 2019). The research findings demonstrate the power of stories combined with the digital dimension enabled children to use new language productively and creatively
How can picturebooks and stories transform the way children learn languages and navigate digital spaces in the primary classroom?
The research presented in this chapter demonstrates how picturebooks and stories can open up possibilities for more sustainable, creative and multimodal approaches to learning new languages in the primary classroom. We look at the importance of childrenâs literature, stories and CLIL in creating welcoming learning environments for languages and how multilingual literacy can be developed using digital technology, including multilingual digital storytelling. Fostering teacher agency is key to this story-based approach and developing deeper motivation to teach primary languages. We describe the context for teaching primary languages in England and show how a new story-based pedagogical approach is vital to enhance the confidence of primary teachers. We adopt a critical ethnographic approach towards language planning and policy and the research focuses on action research carried out in a London primary school. The new whole-school primary languages curriculum analysed in this chapter has been developed from the ongoing collaborative research between the teacher educator/researcher, Sahmland, and lead German teacher/researcher, Hackney, and the school is part of the Critical Connections Project co-directed by Macleroy. We conclude with research findings from a year-long study using a picturebook to teach German that reveal the impact of using stories in the primary languages classroom
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