Evidence of repeated late Holocene rapid subsidence in the SE Cyclades (Greece) deduced from submerged notches

An underwater geomorphological survey along the coasts of six Cycladic islands (Sifnos, Antiparos, Paros, Naxos, Iraklia and Keros) revealed widespread evidence of seven submerged tidal notches. At least seven former shorelines were identified at depths between 280 ± 20 and 30 ± 5 cm below modern sea level. The vertical succession of several submerged notches suggests the occurrence of rapid subsidence events, potentially of seismic origin. Comparison with other sea-level indicators from Naxos and Delos islands indicates that these relative sea-level changes took place after 3300 BP and provides a rough estimate of the time of development of several submerged shorelines. The submergence of the uppermost notch at −30 ± 5 cm is ascribed to effects of the recent global sea-level rise occurred during the last two centuries and, at least in part, to effects of recent earthquakes. Potential effects of the 1956 Amorgos earthquake with regard to coseismic and post-seismic vertical displacement have been recently investigated using a modellistic approach. According to the above, the lower shorelines should result from repetitive subsidence events and not from gradual subsidence.Published381–3957T. Struttura della Terra e geodinamicaJCR Journa

Marine Creatures and the Sea in Bronze Age Greece: Ambiguities of Meaning

Like most cultures, prehistoric Greek communities had an ambiguous relationship with the sea and the creatures that inhabit it. Positive and negative associations always co-existed, though the particular manifestations changed over time. By drawing together evidence of consumption of marine animals, seafaring, fishing, and iconography, this article unites disparate strands of evidence in an attempt to illuminate the relationship prehistoric Greeks had with marine creatures and the sea. Based on the marked reduction in seafood consumption after the Mesolithic and the use of marine creatures in funerary iconography in the post-palatial period, it becomes apparent that the sea-then as now-is an inherently ambiguous medium that captures both positive and negative emotions. On the one hand, the sea and the animals residing in it are strongly associated with death. On the other hand, the sea's positive dimensions, such as fertility and rebirth, are expressed in conspicuous marine consumption events. © 2013 Springer Science+Business Media New York