Comics in the Design Studio. On the use of graphic narrative as a tool to represent, narrate, and rethink architectural space

This chapter looks at several works produced by architects and students in order to discuss and illustrate some uses of the comics medium as a tool both to visualise and explain, to develop stories and discourses, and start morphogenetic processes that lead to novel architectural form, or even rethink architectural space.unfunde

The Image of Women Architects in Films, 1912–1943: New Careers and Stereotyped Femininities

Contrary to what might be expected, portrayals of women architects in films can be found as far back as the early decades of the twentieth century. In this article, the authors review a few films released between 1912 and 1943 in which one of the characters is a woman architect, focusing on three of them: Dr. Monica (1934), Woman Chases Man (1937) and The Lamp Still Burns (1943). The article explores the ways in which architecture was used by screenwriters and directors as a suitable vehicle to portray the ‘new woman’, as well as the conflicts that arise when a woman practices a traditionally male profession. It analyses the differences and limitations of these depictions, and the stereotypes regarding femininity that permeated these works of fiction

The Image of Women Architects in Films, 1912–1943: New Careers and Stereotyped Femininities

Contrary to what might be expected, portrayals of women architects in films can be found as far back as the early decades of the twentieth century. In this article, the authors review a few films released between 1912 and 1943 in which one of the characters is a woman architect, focusing on three of them: Dr. Monica (1934), Woman Chases Man (1937) and The Lamp Still Burns (1943). The article explores the ways in which architecture was used by screenwriters and directors as a suitable vehicle to portray the ‘new woman’, as well as the conflicts that arise when a woman practices a traditionally male profession. It analyses the differences and limitations of these depictions, and the stereotypes regarding femininity that permeated these works of fiction