Tracing the transition from study to a contemporary creative working life: the trajectories of professional musicians

The classical music academy is a site dominated by traditional meanings of creative practice and an image of the professional creative career as solo performer that is fully available to only a very few students after graduating. The purpose of the study reported in this paper is to explore career-young professional pianists’ talk about the transition from study within a music academy to working life. The focus is on the ways in which they characterize the nature and significance of this transition from very traditional practice and study, and how they (re)negotiate their identities as professional musicians and pianists in contemporary working life. Four classical pianists were interviewed in-depth about their musicianship, including their transition from study to working life. The qualitative analyses presented here suggest that, as they talked about their transitions and developing musicianship, the speakers constructed, re-constructed and oriented to notions of professional trajectories. Such trajectories are emergent, relational and contextually constituted (Sawyer 2003; MacDonald and Miell 2002; Moran and John-Steiner 2004). Rather than being fixed or dependent on communal expectations, they reflect creative freedom and independence, encompassing multiple influences. Crucially, the transition from study to working life is implicated in the process of assuming agency in respect of one’s own musicianship and career—a process that involves identity work, the (re)negotiation of pathways, narrations and trajectories

Developing self-regulated musicians

Highlighted within this chapter is a collection of best practices for encouraging student musicians to develop as self-regulated learners. Two model lessons are presented that are emblematic of the kinds of considerations, methods, and techniques that teachers may find useful for classroom applications with a variety of beginning, intermediate, and advanced performers. A brief discussion of selected aspects of self-regulated learning theory follows the model lessons and this is used as a framework for understanding the processes, skills, and dispositions that are characteristic of self-regulated music learners. We present the primary components of the theory with an eye towards practical application in the classroom. The chapter concludes with a commentary and analysis of the two model lessons and how these typify approaches to the teaching of musical self-regulation

Textbook research in mathematics education: development status and directions

This paper presents a survey study aiming to systematically examine, analyse and review relevant research focusing on mathematics textbooks and hence identify future directions in this field of research. The literature surveyed is selected from different data sources, including mainly journal articles, research theses and conference proceedings. The survey revealed that important progress has been made over the last few decades in mathematics textbook research, though the major achievement has been concentrated in the areas of textbook analysis (including textbook comparison), and the use of textbooks in teaching and learning. It is overall no longer true that the textbook research in mathematics is “scattered, inconclusive, and often trivial” as described six decades ago; however, the development of research on mathematics textbooks has been unbalanced in different areas. Following the review and discussion, the paper proposes five needed directions for advancing the research in this field

Personal Social Networks and the Cultivation of Expertise in Magic: An Interview Study

The purpose of the present study was to examine expertise in magic by interviewing 16 prominent Finnish magicians who were identified earlier through a social network analysis of 120 Finnish magicians. A semi-structured interview was administered that addressed the participants’ histories; their relationship to magic, the nature of their expertise, the networked development of expertise, their engagement with magical expertise and their motivation for cultivating such expertise. The results indicated that expertise in magic is cultivated, to a great extent, by informal networks of expertise without formal training. The participants had become excited about magic as children and started to pursue an expertise in the field from a relatively early age (4 to 14 years). In accordance with other domains of expertise, it had taken about 10 years of cultivating skills and competencies before becoming professional in the field, with a few exceptions. Ego-centric network analyses revealed that there were three or four magicians who had significantly shaped the Finnish field of magic and affected most of the participants’ development and career. Most of the participants were clustered, forming a core of Finnish magicians, and those magicians working abroad and collaborating with international magicians were located at the periphery of the Finnish network or formed an isolated network of clusters within it