8,938 research outputs found

    Empirical evidence on copyright earnings

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    Powers to disconnect internet users should not be lightly delegated. (Letter)

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    From Prof Martin Kretschmer. Sir, Peter Mandelson’s digital economy bill (report, November 20) contains major legislative innovations in the treatment of copyright law. For the first time, a regulatory rather than a property rights approach is used, both for enforcement and access issues in the digital environment. Under the traditional approach, the state grants copyright as a property right but then leaves transaction and enforcement to private parties. Under the regulatory approach (commonly used for utilities) market access, price control and contractual supervision remain prevalent long after a franchise has been awarded. The digital economy bill gives the communications regulator Ofcom and civil servants (under delegated powers to the secretary of state) an unprecedented role in copyright law, in determining whether copyright infringers will be subject to internet speed limits or even disconnection, and in regulating the use of copyright works whose owners cannot be traced (so-called “orphan works”). This is a significant conceptual innovation, and a welcome recognition that intellectual property rights shape the infrastructure of a knowledge-based society. If a regulatory approach is used, however, it is imperative to create a truly independent basis for regulation, using verifiable evidence. Here, the record of the New Labour government is dismal. Certain sectors of the entertainment industry appear to have privileged access to ministers. This has led to proposals for tackling downloads and file-sharing that affect fundamental rights, and are likely to have anti-innovative consequences (for example in driving traffic further underground, throttling legitimate streaming services, and imposing costs on internet service providers). Powers to disconnect internet users should not be lightly delegated, certainly not in the sweeping manner of the digital economy bill that will allow future ministers to change the scope of copyright law without proper scrutiny. Martin Kretschmer, Professor of Information Jurisprudence, Director, Centre for Intellectual Property Policy and Management, The Business School, Bournemouth University, U

    Data mining: why the EU’s proposed copyright measures get it wrong

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    Information extracted from copyrighted material should not be seen as an infringement. Such analytical use is good for society

    Trust and corruption: escalating social practices?

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    Escalating social practices spread dynamically, as they take hold. They are selffulfilling and contagious. This article examines two central social practices, trust and corruption, which may be characterized as alternative economic lubricants. Corruption can be a considerable instrument of flexibility while trust may be an alternative to vigilance (or a collective regime of sanctions). Rational equilibrium explanations and psychological accounts of trust and corruption are rejected in favour of a model open to multiple feed-backs. Although there can be too much trust and too little corruption, and (unsurprisingly) too little trust and too much corruption, a state is unattainable in which these forces are in balance. Practices of trust alone can form stable equilibria, but it is claimed that such states are undesirable for economic and moral reasons. By contrast, practices of corruption are inherently unstable. Implications for strategies of control in organizational relations are drawn

    Copyright Term Reversion and the “Use-It-Or-Lose-It” Principle

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    This brief article makes an argument for the use of the legal device of term reversion, as a means for bringing unexploited works back into use, and mitigating the undesirable effects of the excessive term of copyright protection. It proposes to legislate a simple rule that copyright interests will be transferable only for an initial term of 10 years, after which they will revert to the creator. If carefully implemented, the rule is compatible with the current constraints of international and EU law. By stimulating artist‐led innovation, term reversion may also improve the financial position of creators
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