The Role of Features and Context in Recognition of Novel Melodies

We investigated how well structural features such as note density or the relative number of changes in the melodic contour could predict success in implicit and explicit memory for unfamiliar melodies. We also analyzed which features are more likely to elicit increasingly confident judgments of “old” in a recognition memory task. An automated analysis program computed structural aspects of melodies, both independent of any context, and also with reference to the other melodies in the testset and the parent corpus of pop music. A few features predicted success in both memory tasks, which points to a shared memory component. However, motivic complexity compared to a large corpus of pop music had different effects on explicit and implicit memory. We also found that just a few features are associated with different rates of “old” judgments, whether the items were old or new. Rarer motives relative to the testset predicted hits and rarer motives relative to the corpus predicted false alarms. This data-driven analysis provides further support for both shared and separable mechanisms in implicit and explicit memory retrieval, as well as the role of distinctiveness in true and false judgments of familiarity

The Chinese version of the Gold-MSI: Adaptation and validation of an inventory for the measurement of musical sophistication in a Taiwanese sample

This study presents the Chinese adaptation of the Goldsmiths Musical Sophistication Index (Gold-MSI), an instrument for measuring individual differences in musical ability and skilled musical behaviour. Its psychometric properties were examined with a Taiwanese sample. The Gold-MSI inventory was translated into Chinese following recommendations from the literature on cross-cultural test development. Subsequently, the psychometric properties of the Chinese Gold-MSI self-report inventory, including the Melody Memory Task and the Beat Alignment Perception Task, were evaluated using an online survey with 1,065 participants. Results of confirmatory factor analysis suggest that the original factor structure of the Gold-MSI inventory showed an acceptable fit with the data from the Chinese-speaking sample. In addition, the Chinese Gold-MSI inventory shows good reliability. The Melody Memory Task and the Beat Alignment Perception Task also have sufficient test-retest reliability. Finally, correlations between the Chinese Gold-MSI inventory and the Musical-Rhythmic Intelligence subscale of the Eight Multiple Intelligences Questionnaire as well as the two additional music tests provide evidence for convergent and divergent validity. Overall, the data suggest that the Chinese Gold-MSI has good psychometric properties. Percentile norms for the Gold-MSI inventory and the music tests from the present sample are reported for use in future studies. The present study thus makes a valuable contribution to cross-cultural research in music psychology by enabling the comparison between Chinese and Western studies of individual differences in musical ability